Masahiko Satoh is a Japanese jazz pianist, composer and arranger.
Satoh was born in Tokyo on 6 October 1941. His mother was Setsu and his father, who owned small businesses, was Yoshiaki Satoh. The house that his family moved into in 1944 contained a piano; Masahiko started playing it at the age of five. He began playing the piano professionally at the age of 17, "accompanying singers, magicians and strippers at a cabaret in the Ginza district".
Masahiro Sayama (佐山雅弘) (born November 26, 1953) is a Japanese pianist, active in jazz and video game soundtracks.
Sayama began playing piano as a child and became interested in jazz after seeing the film The Glenn Miller Story. He studied music at Kunitachi College of Music and began playing jazz professionally in the early 1970s, working with Toshiyuki Honda, Shigeharu Mukai, and Kazunori Takeda. He was a member of Shuichi Murakami's trio Ponta Box and also led his own ensembles. In 1991 he began playing with Masahiko Osaka.
Sayama also plays for video game soundtracks, including Final Fantasy X-2.
Takashi Ohara (Takashi Ohara, 1960 March 17 -) is Japan of pianist-songwriter- composer-arranger . Affiliation limited company Jill. He was born in Kawasaki , Kanagawa Prefecture in 1960 . Since my father, Jiro Ohara is a classical guitarist and opened a guitar class, He will be a kid in an environment surrounded by music. He graduated from junior high school University Kunitachi College of Music junior high school , Kunitachi College of Music University High School through the Kunitachi College of Music. In 1986, he completed the National Music University Graduate School as a chief executive. Won the Croutzer Memorial Prize. In 1990 CD debut with "Cat is a very pianist". We announce 46 albums. Announced more than 100 albums including accompaniment.
Since April 1999, NHK-FM- speaking for you , personality.
The Japanese Academy of Music Concert Award for Best Co-Actor Award ( 2002 , 2005 , 2006 ). In 2006, the composer category Yoshinao Nakada was also awarded (detailed below), in 2015 Kawasaki City Culture Award
Visiting professor at Naomi Gakuen University , part-time lecturer at National Music University Kawasaki City Cultural Ambassador
It features a performance with beautiful tones and a variety of performance activities that are not tied to genres .
His graduate school major was Olivier Messian , a composer and pianist representing France in the 20th century, who named himself "the creator of rhythm ." The initial album Messiaen to "My song of love from the finger" work performance of "dove" is recording are.
Ohara of the album is not only a classic, children's song , jazz , pop , film music , drama theme song over a wide range, such as genre without regard to, the attitude is evident that want to tell the goodness of music.After completing the graduate school, in the twenties, the activities as accompaniment artists were mainly performed, such as performing piano accompaniment of Yuki Saori and Shoko Yasuda nursery school concerts, but their skills were highly appreciated, and even after solo activities became central Asked by various artists, often perform as accompanist. There is also a result of having been awarded three times the theater hall Japanese song contest excellent co-star award.
Satoshi Shiotani is a pianist, arranger and producer. Alias, SALT (Salt). Tokyo National University of Fine Arts and Music department composition department dropped out.
As a member of Orchestra de la Rusu who was in the composition department of Tokyo National University of Fine Arts and Music for over ten years, she went through 12 activities as a solo artist until now as a member of the Orchestra de la Rus (1993 UN Peace Prize Winner, 1995 Grammy Award nomination) Announcing the original album of. In addition to her own group, "AGA-SHIO" activities with "Otone Makoto (p)," SALT & SUGAR "with Takeyoshi Sato (vo), Hiromitsu Kamikuma (Shamisen) and Richard Sturtzmann (cla) , Watanabe Sadao, Muraji Kaori, Furusawa Iwao, Yaida Hitomi, Watanabe Misato and many other collaborations etc., genre and form of activities are diverse. In recent years, participating in sound production of ayaka, in the media NHK E Tel "Hobby Do Happy" Piano with Rhythm of Satoshi Shiotani "(2014), Fuji TV drama" Painless - Eyes to Examine - "(2015), present He is in charge of music of NHK E Teleleaf puppet variety variety program "Colonnade deal" (2016 ~). From 2012, a lecturer at the National Music College.
Norio Nobuhito Maeda born on December 6, 1934. He is from Osaka Prefecture. Arranger and arranger, pianist. I went to Tokyo in 1955. Enrolled in the prestigious Westliners from 57, including Sawada Shungo and Double Beats. He gradually demonstrated his talent as arranger, he was active in a wide range of domestic jazz, popular singer's stages, recordings, TV programs and so on. He was in charge of music such as "music fair" "no title without sound". In recent years, the performance of the windbreakers, the trio of their own, etc. is also actively developed.
Toshiyuki Honda (born April 9, 1957, Tokyo) is a Japanese jazz musician and composer.
Honda's father was a jazz critic, whose name was also Toshiyuki Honda. As a jazz musician, he learned flute and saxophone, and worked in the late 1970s with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, as well as leading his own ensemble, Super Quartet. He was also a member of the ensemble Native Son.
Starting in the late 1980s, Honda turned increasingly toward composing for film and television, as well as working in record producing. He composed the soundtrack for the film A Taxing Woman in 1987, which raised his prominence as a film scorer.
Discography
Studio Albums
Burnin Waves (1978)<br /> Opa Com Deus (1979)<br /> Easy Breathing (1980)<br /> Boomerang as **Toshiyuki Honda** & Burning Waves (1981)<br /> Spanish Tears as **Toshiyuki Honda** & Burning Waves (1981)<br /> Shangri-La (1982)<br /> **Toshiyuki Honda** (1982)<br /> September as **Toshiyuki Honda** & The New Burning Wave (1983)<br /> Modern (1984)<br /> The Super Quartet" as **Toshiyuki Honda** featuring The Super Quartet (1986)<br /> Radio Club (1987)<br /> Something Coming On as **Toshiyuki Honda** Radio Club Soundtrack albums
A Taxing Woman (1987)<br /> A Taxing Woman's Return (1988)<br /> Gunhed (1989)<br /> Minbo (1992)<br /> Supermarket Woman (1996)<br /> Metropolis<br /> Nasu: Summer in Andalusia (2003)<br /> Rebellion: The Killing Isle (2008) Franz Peter Schubert (German: [ˈfʁant͡s ˈpeːtɐ ˈʃu:bɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. His major works include the Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the three last piano sonatas (D. 958–960), the opera Fierrabras (D. 796), the incidental music to the play Rosamunde (D. 797), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).
Born to immigrant parents in the Himmelpfortgrund suburb of Vienna, Schubert's uncommon gifts for music were evident from an early age. His father gave him his first violin lessons and his older brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Haydn, Mozart, and Beethoven. He left the Stadtkonvikt at the end of 1813, and returned home to live with his father, where he began studying to become a schoolteacher; despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was granted admission to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his own works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, possibly due to typhoid fever.
Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the 19th century, and his music continues to be popular.
Schubert was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (over 600). Schubert also composed a considerable number of secular works for two or more voices, namely part songs, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three concertante works for violin and orchestra. Schubert wrote a large body of music for solo piano, including fourteen completed sonatas, numerous miscellaneous works and many short dances, in addition to producing a large set of works for piano four hands. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works.
In July 1947 the Austrian composer Ernst Krenek discussed Schubert's style, abashedly admitting that he had at first "shared the wide-spread opinion that Schubert was a lucky inventor of pleasing tunes ... lacking the dramatic power and searching intelligence which distinguished such 'real' masters as J.S. Bach or Beethoven". Krenek wrote that he reached a completely different assessment after close study of Schubert's pieces at the urging of his friend and fellow composer Eduard Erdmann. Krenek pointed to the piano sonatas as giving "ample evidence that [Schubert] was much more than an easy-going tune-smith who did not know, and did not care, about the craft of composition." Each sonata then in print, according to Krenek, exhibited "a great wealth of technical finesse" and revealed Schubert as "far from satisfied with pouring his charming ideas into conventional moulds; on the contrary he was a thinking artist with a keen appetite for experimentation."
In 1897, the 100th anniversary of Schubert's birth was marked in the musical world by festivals and performances dedicated to his music. In Vienna, there were ten days of concerts, and the Emperor Franz Joseph gave a speech recognising Schubert as the creator of the art song, and one of Austria's favourite sons. Karlsruhe saw the first production of his opera Fierrabras.
In 1928, Schubert Week was held in Europe and the United States to mark the centenary of the composer's death. Works by Schubert were performed in churches, in concert halls, and on radio stations. A competition, with top prize money of $10,000 and sponsorship by the Columbia Phonograph Company, was held for "original symphonic works presented as an apotheosis of the lyrical genius of Schubert, and dedicated to his memory". The winning entry was Kurt Atterberg's sixth symphony.
Herbert Jeffrey Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles.
Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album to win the award, after Getz/Gilberto in 1965.
Hancock was born in Chicago, Illinois, the son of Winnie Belle (Griffin), a secretary, and Wayman Edward Hancock, a government meat inspector. His parents named him after the singer and actor Herb Jeffries. He attended the Hyde Park Academy. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy, he played the first movement of Mozart's Piano Concerto No. 26 in D Major, K. 537 (Coronation) at a young people's concert on February 5, 1952, with the Chicago Symphony Orchestra (led by CSO assistant conductor George Schick) at the age of 11.
Through his teens, Hancock never had a jazz teacher, but developed his ear and sense of harmony. He was also influenced by records of the vocal group the Hi-Lo's. He reported that:
In 1960, he heard Chris Anderson play just once, and begged him to accept him as a student. Hancock often mentions Anderson as his harmonic guru. Hancock left Grinnell College, moved to Chicago and began working with Donald Byrd and Coleman Hawkins, during which period he also took courses at Roosevelt University (he later graduated from Grinnell with degrees in electrical engineering and music. Grinnell also awarded him an honorary Doctor of Fine Arts degree in 1972). Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Giannini, which he did for a short time in 1960. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods. He recorded his first solo album Takin' Off for Blue Note Records in 1962. "Watermelon Man" (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.
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This article uses material from the Wikipedia article "Takashi Ohara", "Masahiko Sato", "Herbie Hancock", "Masahiro Sayama", "Toshiyuki Honda", "Norio Maeda (jazz pianist)", "Satoshi Shiotani (SALT & SUGAR)", which is released under the Creative Commons Attribution-Share-Alike License 3.0.
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