Yojiro Oyama graduated from Aichi Prefectural College of Art. In 1994, he studied abroad in Milan, Italy, following the grant of overseas training expenses for Akita prefecture's up-and-coming artists.
He won the second prize in R. BROSJ Song Contest, winner of international competitions such as Maria Crow. He studied under Mr. Terranova.
In 1995, he made his debut at "Ai no Otomiya" at Nemorino, after he appeared in various part of Italy at "Barber of Sevilla", "Don Pasquaware", "Friends Fritz", "Italian woman of Algiers", "Koji fan Tutte", Rigolette "Duke of Mantua', "Bastian and Bastienn "
From 1997 to 1999 he participated in the Hungarian State Opera as Fenton of "Huelstaff", Don Ramillo of "La Cennelentra", and Arturo of "Lucia" and performed at the Romania Constanta · Opera Festival "Rigoletto".
In Japan, he appeared in Tamino of "Magical Flute" at the Nikko Theater in 1997 and appeared in "Barber of Sevilla". He appeared at Beltland in the small theater series "Happy mistake" at the National Theater in 2000.
Takeya Hidekazu is a well-known vocalist in Japan. He graduated from the Tokyo National University of the Army. In 1989, he won the gold medal of the Italian Concorso Milan division. the 3rd place in the 60th Japan Music Competition Vocal Music Division, ranked 2nd in the 3rd Japanese Vocal Competition. He studied in Milan in 1992.
From 1994 to 2001 Leipzig Opera House and exclusive contract with German National Theater of Weimar from 2002 to 2011. He is also a guest at the Bregenz lake music festival, the German. Deep and heavy singing voice in numerous performances are getting popular. He also received the 24th Giro Opera Prize, the 4th Rossiya Song Award.
Kuruta Murakami is a tenor singer graduated from Tokyo Music College, Voice Music Performer Major, and studied abroad in Ita as a trainee under the Agency Of Cultural Affairs request.
Performances:
- The 73th Yomiuri Shinken Performance Concert
- The Giuseppe Di Stefano International Competition held in Trapani, Italy with winning the role of Duke of Mantua of Rigoletto.
- The 10th anniversary concert sponsored by the Agency for Cultural Affairs at the New National Theater,.
In recent years, he has performed at the Singapore Lyric Opera and has been well received in the field with Puccini “La Boheme” Rodolfo, Mozart “Magic Flute” Tamino, Richard Strauss “Salome” Naraboat, and Verdi “Sagihime” Alfredo. He is also active as a soloist for Ninth, Mass and Requiem. In March 2015, he held the national anthem solo of Seibu Prince Dome.
Eva May (29 May 1902 – 10 September 1924) was an Austrian actress. She has joined many films such as: Die geheimnisvolle Villa (1914), Sadja (1918), The Enchanted Princess (1919), State Attorney Jordan (1919), Irrlicht (1919), The Fairy of Saint Ménard (1919), Black Pearls (1919), The Foolish Heart (1919), etc,.
Hiroko Koda was born in Toyonaka city, Osaka prefecture in 1971. She is a Japanese soprano singer. Her sister is Satoko Koda of the violinist. She grew up with parents deep in understanding and knowledge of music. After graduating from Toyonaka Senior High School in Osaka Prefecture, Hiroko Koda entered the Vocal Music Department of Tokyo National University of Fine Arts and Music.
In 1997, she graduated from Tokyo National University of Fine Arts and Music Vocal Music Department. Two years of study abroad in Italy · Bologna with the qualification of a foreign trainee dispatched artist from the Agency for Cultural Affairs. In 2000, she signed a two-year exclusive contract with Vienna Volksoper and won the 38th Exxon Mobil Music Award for International Music Award.
Yayoi Toriyaki is a Japanese opera singer. She graduated from Musashino Music College and went to Italy. In Italy, she joined Ishikawa Prefecture Shinto artist overseas training system and also has acquired Diploma of Opera Art Department at Ecole Normale Conservatory at the highest rank.
In 1998, she began activities with a joint recital with Elena Oblastsova in each Eastern European city. In that same year, she debuted in collaboration with Ensemble Kanazawa, directed by Mr. Hiroyuki Iwaki in Japan and has performed in Florence (2007), a number of opera performances in various places in Europe such as Puccini "Butterfly Masters" Suzuki role (2008) in Barcelona and others in Spain, and many performances in concerts such as Avignon Opera "Music Girls" (2006). Yayoi Toriyaki was a major singer in Japan premiere Musetta (2004), Verdi "Falstaff" Meg (2006 Suntory Hall), "Rigoletto" Maddalena (2007), Poulenc "Carmelite nuns dialogue" Mary (2010), Rossini "Barber of Seville" Rosina (2011), Bizet "Carmen" Carmen (2013), etc,.
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera Don Giovanni. Charles Rosen makes the point forcefully:
It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
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