Anna Maria "Marie" Tussaud (French: [tyso] ; née Grosholtz; 1 December 1761 – 16 April 1850) was a French artist known for her wax sculptures and Madame Tussauds, the wax museum she founded in London.
Marie Tussaud was born 1 December 1761 in Strasbourg, France. Her father, Joseph Grosholtz, was killed in the Seven Years' War just two months before Marie was born. At the age of six her mother, Anne-Marie Walder, took her to Bern, in Switzerland. There the family moved into the home of local doctor Philippe Curtius (1741–1794), for whom Anne-Marie acted as housekeeper.
Curtius, who Marie would call her uncle, was not only a physician, but he was also skilled in wax modelling. He initially used his talent as wax sculptor to illustrate anatomy but later for portraits. He moved to Paris in 1765 to establish a Cabinet de Portraits En Cire (Wax portraiture firm). In that year, he made a waxwork of Louis XV's last mistress, Madame du Barry, a cast that is the oldest work currently on display. A year later, Tussaud and her mother joined Curtius in Paris. The first exhibition of Curtius' waxworks was shown in 1770 and attracted a large crowd. In 1776, the exhibition was moved to the Palais Royal and, in 1782, Curtius opened a second exhibit, the Caverne des Grands Voleurs (Cavern of the Grand Thieves), a precursor to Tussaud's Chamber of Horrors, on Boulevard du Temple.
Curtius taught Tussaud the art of wax modelling. She showed talent for the technique and began working for him as an artist. In 1777, she created her first wax figure, that of Voltaire. From 1780 until the Revolution in 1789, Tussaud created many of her most famous portraits of celebrities such as those of philosopher Jean-Jacques Rousseau and Benjamin Franklin. During this period her memoirs claim she became employed to teach votive making to Élisabeth, the sister of Louis XVI. In her memoirs, she admitted to be privy to private conversations between the princess and her brother and members of his court. She also claimed that members of the royal family were so pleased with her work that she was invited to live at Versailles for a period of 9 years, though no contemporary evidence confirm her accounts.
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