Roppongi Kabuki
Sorry to trouble you, but please apply from the dedicated page. Application is here
Sorry to trouble you, but please apply from the dedicated page. Application is here
聟 entering kyogen's "two-person hakama" is a performance that becomes a "three-stage dance" where music is entered, where small dances such as "Nanatsuko" are danced in the scene of a spree at the end part. Please enjoy "two people hakama" which becomes a more gorgeous atmosphere.
Annual annual Society that colors new spring.
The superstars of the two families who stand at the top of Kyogen are gathered together and the longevity of the New Year is reached (ruby above :).
In this performance, commentators will explain the sights in an easy-to-understand manner before the performance, so that people who have seen for the first time can fully enjoy Noh music. Also, as the price is cheaper than the usual Noh performance, please do not hesitate to come.
Venue: Ishikawa Prefecture Noh Theater (Ishikawa Prefecture 4-18-3 Kanazawa City Tel: 076-264-2598)
Opening: 14: 30 (opening 14: 00)
Admission: 1,000 yen (200 yen higher on the day) (Free up to high school students)
Location: Cerulean Tower Noh
Begining: 2018/10/16 (Tue) 10: 00
Notes:
About tickets:
General ¥ 5,000
Student ¥ 3,000
Tickets are limited to ¥ 8,000
※ All chairs are free chairs regardless of ticket type.
※ Student tickets are subject to college students or less.
※ Limited view tickets will be coupled. Two people can enter this one (Simultaneous Entry Requirements).
Limited number of tickets: You can book up to 10 tickets with one application. Application limit 4 times
Type of seats and fees:
All Seats Free (General): ¥ 5,000
Student ticket (student): ¥ 3,000
See the limit (1): ¥ 8,000
Payment methods: You can choose in front of the reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please check in the cashier after 10/16/201 (Tuesday).
FamilyMart: Please pick it up at the Fami port terminal of the store after October 16, 2018.
Location: Film location
Begining: 2018/11/3 (Sat) 10:00
Notes:
※ Expiry date: June 30, 2019 (Sun)
Limited number of tickets: You can book up to 8 tickets by one application. Application limit 4 times
Type of seats and fees:
Special fare (joint S-20): ¥ 1,800
Payment methods: You can choose in front of the reception desk.
Convenience Store / ATM only: Please pay before the deadline of show at that time of registration.
Seven - Eleven: Please check in the cashier after 3 November 2018.
Family Mart: Please pick it up at the Fami port terminal of the store after November 3, 2018 (Saturday).
Location: Rohm Kyoto South Hall Theater
Begining: 2018/10/20 (Saturday) 10:00
Notes:
※ Youth (25 years old and below) = Maximum 3 people per person, for high school students = 2 persons / person. Please present an age verification certificate at the South Hall reception on, please exchange it for the entrance fee.
※ Not in kindergarten
Limited number of tickets: You can book up to 8 by one application. Application limit 4 times
Type of seats and fees:
Indicated chair: ¥ 3,500
Chair designated (Youth (25 years and under)): ¥ 2,000
Seat designated (high school or lower): ¥ 1,000
Payment methods: You can choose in front of the reception desk
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please accept at the cashier after 20/10/201 (Saturday).
Family Mart: Please pick it up at the Fami Ferry Terminal of the shop after 10/10/10 (Saturday).
It may refer to:
Kaze Uchida (Today, March 12, 1983 -) is an actress in Japan. Born in Yokohama City, Kanagawa Prefecture. Yoshihisa Motors belongs.
Department of Arts, Nihon University Arts department, department of literature dropped out. I have not belonged to a specific theater company, and have participated in performances such as pots doll, Ikimei, Gotanda group etc until now. From the debut to the year 2010, the activities centering on the stage were central, but since then many movies and TV dramas appeared.
Masahiro Oishi (born November 29, 1968) is a Japanese mixed martial artist. He competed in the Bantamweight and Featherweight divisions.
Ito Saho
T.158 B.83 W.60 H.86 S.23.5
Date of birth April 20, 1980
Hometown Chiba
Blood type A
hobbies / special skills marathon / reading / handicraft / Japanese dance
Doi Shiorohashi (Dictionary, July 23, 1992 -) is an actress in Japan.
Born from Fukuoka prefecture. Graduated from the Kyoto University of Art and Design studies movie department actor course (fifth grader). Fathers Corporation belongs.
He began to learn classical ballet at the age of three, and he has appeared many times in the main performance of the ballet group while studying for 15 years until high school graduation. In advance of high school graduation, I am going to the Kyoto University of Art and Design studies movie course as an actor course, as "Will it finish without knowing the life other than ballet if I decide to become a professional in ballet as it is?"
In the final round of the TBS 'Mito Komon's 43rd part', TBS's main performance, "Hanakiri Nu" (2011), the second performance of the theater company Hime Opera, who starred on the stage shortly after entrance to the university, then appeared, attracted attention It is appointed as a side room of the general. She played a movie debut in the movie "Miroku MIROKU" (released in October 2013, Director Lin Haifeng), and in February 2013 she was enrolled in the stage "Iku - Talking to Gareki that flows" Appeared in more movies and movies. In the 4th year of university, he went on to audition and appeared in the movie "Red Ball" (published in September 2015, directed by Takahashi Tomohiro) and played a wet place in the opponent with Eiji Okuda starring attention with a bold acting without skin irritation Gather.
He graduated from college in spring of 2015, belonged to Tokyo, Fathers Corporation and started full-scale activity as an actress.
At the movie "Rivers Edge" released in February 2018, he plays the role of Kumi Rumi and leaves the impact in performance per body, and in the same year he played the role of a 5-year-old in the stage "Gretel and Hansel" in the same theater in a commercial theater Serve for the first time.
Biography
In July 1999, joined Tokyo Tin Tin. Starting with the performance at the summit of Mt. Fuji held to commemorate the chairman's birthday, she began to be involved in small theater theater. After retiring in 2002, she appeared in many theater groups with unusual names, such as Absolute King, Theater Company, Five Thousand Hindus, and Nise Group.
In the wake of the encounter with Shinichi Sekine of the theater company flying stage, she also aim to become a singer. 2008, Nippon TV series "Song! ], she sings the best. However, it was defeated by the remark that it aims at a red and white participation. Taking into consideration the first appearance (planned) of the red-and-white first 12 years later, as "Ebiko ・ Noubergerg", music activities (song, violin and Hana clan) are also actively conducted. Of course there is no excuse for theatrical activities, and I am seeking a place where shee can sing while singing.
name: 田川 隼嗣 (Takagi Tagawa)
Sex: male
Birthday: December 25, 2000
Blood type: B
Birthplace: Nagasaki Prefecture
Height: 175 cm
Special skill: Nunchaku
Hobby: Cooking, fishing
PROFILE
☆ 2014 “27th Junon Super Boy Contest” Jury Special Award Winner
★ ★ ★ _____ Future appearance _____ ★ ★
○ Stage "live now"
October 5 2024 (Fri) -24 (Wednesday) ) @ New National Theater Chuo Theater
http://www.ima-iki2018.jp/ ·
Stage "Kinoshita Kabuki Setsubu National Convention"
February 10 (Sun) and 11 (Mon.), 2019
@ Kyoto Prefecture ROHM THEATER Kyoto South Hall
Feb. 15th (Fri), 16th (Sat) 2019
@ Aichi Prefecture Honokuyo Yoshihashi Art Theater PLAT Main Hall
March 14th (Thu) to 17th (Sun)
@ Kanagawa Prefecture KAAT Kanagawa Art Theater Large Studio
http://kinoshita-kabuki.org/gappo
Location: Kyoto Shijo Jinanza
Begining: 2018/10/15 (Mon) 10:00
Notes:
※ First-class seats and second-floor chairs are located in the main seat.
※ There are times when you can not sit in a chair next to each other. Please confirm beforehand, please register.
Limited number of tickets: You can book up to 8 tickets by one application. Application limit 4 times
Type of seats and fees:
First Class: ¥ 25,000
Second Class B seat: ¥ 10,000
Third seat: ¥ 8,000
Payment methods: You can choose in front of the reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please check in the cashier after October 15, 2018.
FamilyMart: Please pick up at the Fami port of the store after October 15, 2018 (Monday)
Matsumoto Shiraku (Matsumoto Haruku) is a famous Kabuki actor's name. The shop name is Goryokuya, the regular print is four flower shoes, and the replacement is a butterfly butterfly. Origin from the haiku of the seventh generation Matsumoto Koshiro, the first father.
Kataoka Ainoosuke is a famous Kabuki actor's name. His yagō is matsushimaya. His mon is the Oikake Go-mai Ichō. His current stage name is Ainosuke Kataoka.
[Television] Onihei Gaiden Fourth Wife Brave Hero Yoshihiko Sanadamaru Detective 7 LOVE Theory Elucidated! History Investigation Naoki Hanzawa
[Stage] Destrap Comedy Tonight Beauty and the Beast Original Silent Ami Flaming Sake, Tears, Jekyll and Hyde
[Movie] ] Mother
[CM] Onward Shinwa Construction JA Tajima
Kataoka Kotaro (Kataka Takataro, 1968 (Showa 43) January 23) is a Japanese Kabuki actor and actor. The shop name is Matsushimaya. The regular print is chasing five Gingko. His real name is Yasuo Kataoka (Kayoka Yasuo).
Born from Kyoto Prefecture. His father is the 15th generation Kataoka Nishiemon. His sister is actress Kataoka Sachi and Kataoka Kyoko, the eldest son has Kenoka Chinosuke.
While showing a remarkable success as a young female figure, he is active as one of the new generation of the Kabuki world, while he is also acting as an actor in movies and TV dramas other than kabuki.
Ichikawa left Birdji (Ichikawa Sodenji) is a famous Kabuki actor's name. The first generation and the second generation served as the seat of Meiji theaters. The shop name is Takashimaya. Constellation is left on Mitsuke (left as you can see), substitute crest on Matsuki Ryoshi (harvested at Matsukata). However, on behalf of generations, Left-hand Order usually uses the replacement "Matsukishi-no-Kisugi".
Sakata Takuroro (Sakata dojurou) is a famous Kabuki actor's name. The shop name is Yamashiroya. Fifth pattern of the fourth generation is Fuji Fuji superstar plum bowl, substitute print is Fujitsu.
The first generation was one of the founders of the upper Kabuki, also known as the actor who established the art of karate, and its famous place was once the most prestigious in Liyuan alongside Ichikawa Danjuro of Edo. After the third generation of Yasunaga 2 (1774) who died in Sendai, there was no one to appeal to, and the name of Sakata Takuroro lived as a legendary nomad, but in 2005 he was the fourth generation name in 231 for the first time in 231 .
Nakamura Rujiro (Nakamura Gunjiro) is a famous Kabuki actor's name. For shop name 3rd generation is Muromachiya, the 4th generation is Muromi family. Ichigo for regular prints and butterfly shuffle for substitute prints.
The first generation Kanoka Shinnosuke (Shido Katoka Shinnosuke 1967 (Showa 42 September 4 -)) is a Kabuki actor, an actor. The shop name is Matsushimaya. The regular print is chasing five Gingko.
1971 (Showa 46) February, the first stage in the Osaka Shin Kabukiza "Cherry Blossom" croc.
Executive director. It is like a grandfather 's 13th generation Jin - mae gate, but there is also a contemporary atmosphere. I am participating in the Kansai Kabuki classroom performance in June every year with my father and me. He plays a lot of second roles such as judge Takanori of "Shinki no laughter" and fellows of "Ishidoba Kajiwara". I have a big goal to inherit the art of Matsushimaya's house.
Ichikawa Degoro (Ichikawa Sokorou) is a famous Kabuki actor's name. The shop name is Goryokuya, the regular print is three gingko, the substitute print is four flower shoes.
It is now a famous place to be named before Matsumoto Koshiro.
Kabuki (歌舞伎) is a traditional Japanese form of theater with roots tracing back to the Edo Period. It is recognized as one of Japan's three major classical theaters along with noh and bunraku, and has been named as a UNESCO Intangible Cultural Heritage.
What is it?
Kabuki is an art form rich in showmanship. It involves elaborately designed costumes, eye-catching make-up, outlandish wigs, and arguably most importantly, the exaggerated actions performed by the actors. The highly-stylized movements serve to convey meaning to the audience; this is especially important since an old-fashioned form of Japanese is typically used, which is difficult even for Japanese people to fully understand.
Dynamic stage sets such as revolving platforms and trapdoors allow for the prompt changing of a scene or the appearance/disappearance of actors. Another specialty of the kabuki stage is a footbridge (hanamichi) that leads through the audience, allowing for a dramatic entrance or exit. Ambiance is aided with live music performed using traditional instruments. These elements combine to produce a visually stunning and captivating performance.
Plots are usually based on historical events, warm hearted dramas, moral conflicts, love stories, tales of tragedy of conspiracy, or other well-known stories. A unique feature of a kabuki performance is that what is on show is often only part of an entire story (usually the best part). Therefore, to enhance the enjoyment derived, it would be good to read a little about the story before attending the show. At some theaters, it is possible to rent headsets which provide English narrations and explanations.
Location: Kabuki-za Theater
Begining: 2018/11/12 (Monday) 10:00 am
Notes:
※ Please note: processing performance and species seat, there is a case will be released on the change
※ 1 floor seat gallery (¥ 20,000), 3 floor B chair (¥ 4,000) No Treatment
Limited number of tickets: You can book up to 8 tickets by one application. Application limit 4 times
Type of seats and fees:
Class of first class: ¥ 18,000
Second-place seating: ¥ 14,000
Floor 3 seats: ¥ 6,000
Payment methods: You can choose in front of the reception desk
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please check in the cashier after 12th November 2018.
FamilyMart: Please pick it up at the Fami port terminal of the store after November 12, 2018.
Name of Performance: Kabuki-za Yoshinori Akiyo Minutes thirty-one Main Kabuki Kabuki-za
Location: Kabuki-za Theater
Begining: 2018/10/12 (Friday) 10:00
Notes: ※ Please Note : performance effects and seats will be released on the change
※ lounge chair in the first floor (¥ 20,000),
※ B chair in the third floor (¥ 4,000) without handle
※ Children's Services (must be booked in advance)
Limited number of tickets: You can book up to 8 tickets by an application. Application limit 4 times.
Type of seats and fees: top-tier seats: ¥ 18,000
Secondary seating: ¥ 14,000
Third Seats: ¥ 6,000
Payment methods: you can choose in front of reception desk
Credit Cards: Payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ ATMs pay per view times
Internet Banking: Please pay before the deadline of show at time of registration.
Delivery 【courier service】: We will deliver within a week after the payment is completed.
FamilyMart: Please pick it up at the Fami port terminal of the shop after 10/12/201 (Friday).
Seven - Eleven: Please receive it at the cashier after 10/12/201 (Friday).
Ogami Matsuzuki (Oyoe Shozaku, New Letter: Pine Green) is a famous Kabuki actor's name. The shop name is Otaya. The constant pattern is held in four wheels, and the substitute is Hanabishi in Fujinawa.
"Pine green" is derived from the first generation of Matsuzo Onoe's alias. Later on, Matsuzuki used this as a famous place, and in the last years of his six years "Onogami Matsuri" appeared.
Location: National Theater Theater
Begining: 2018/11/7 (Wednesday) 10:00
Notes:
* There is a change in context due to unavoidable circumstances.
※ There is space for wheelchairs. Contact: National Theater Ticket Center 0570-07-9900 or 03-3230-3000 (some IP phones, etc.)
※ Yes Child Services. For inquiries: Kids event · Moms 0120-788-222 (reservation required · Capacity limit · Charge)
Limited number of tickets: You can book up to 8 by one application. Application limit 4 times.
Type of seats and fees:
All designated seats: ¥ 4000
Payment methods: You can choose in front of the reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please accept the cashier after Wednesday, November 7, 2018.
FamilyMart: Please pick it up at the Fami port terminal of the store after November 7, 2018 (Wednesday).
According to commentary with masterpiece performances and demonstrations, the Bunraku Classroom will tell you the charm of Bunraku for those who think "Bunraku is the first time" and "who seems to be a bit difficult".
To everyone who visits, we are distributing a booklet "Bunraku introductory" which introduces the book of this performance and the world of Bunraku free of charge! The illustration by illustrator Shimodairi Shimodaira of illustrator who is contributing also to Bunraku journal is also used on the front cover of the commentary, familiar with posters and leaflets, pictures of Seiku Kurobei, on the front page of "Bunraku Introduction" It is.
We will hold "Discover BUNRAKU" for foreigners with explanations with English and English subtitles!
Ningyo Joruri Bunraku is one of the traditional Japanese performing arts, a comprehensive art in which Tarou, Shamisen and dolls are united. Its establishment day back to the early Edo period with old puppet dolls, later called Ningyo joruri. With the works of Yoshio Takemoto Yoshio Sotoga and Chikamatsu Monzaemon, Ningyo joruri gained popularity and came to the heyday, Takemotoza was founded. After this, several puppet ballistic actors, including Banbetsu, rise and fall repeatedly, at the end of the Tokugawa shogunate, the monastery originated in Osaka by Uemura Bunraku in Awaji became the most influential and central presence, and eventually "Bunraku" is synonymous with puppet joruri And it has reached today.
Ningyo joruri Bunraku was declared UNESCO as "masterpiece on oral and human intangible heritage of human beings" in 2003 (Heisei 15), and "2008 representative list of representatives of human intangible cultural heritage" in 2008 It was stated in.
Location: National Theater Opera House
Begining: 2018/11/06 (Tue) 10:00 am
Notes:
※ There is a change in context due to unavoidable circumstances
※ Wheelchair accessible space available. For requests: National Ticket Center Theater 0570-07-9900 or 03-3230-3000 (Some IP phones, etc.)
※ Month · Wed · Sun · Holidays · Holidays Only child care is available. For inquiries: Kids event · Moms 0120-788-222 (reservation required · Capacity limit · Charge)
Limited number of tickets: You can book up to 8 by one application. Application limit 4 times
Type of seats and fees:
Special seats: ¥ 12,500
1, etc. One seat: ¥ 9800
1 as chair B: 6,400 yen
2, etc. One seat: ¥ 4,900
2 as chair B: 2,700 yen
3 seats: ¥ 1,800
Payment methods: You can choose in front of the reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs: pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please accept the cashier after 6 November 2018.
FamilyMart: Please pick it up at the Fami port terminal of the store after November 6, 2018 (Tuesday).
Name of performance: Bunraku class for the National Theater society people
Location: National Theater Theater
Begining: 2018/11/7 (Wednesday) 10:00
Notes:
* There is a change in context due to unavoidable circumstances.
※ There is space for wheelchairs. Contact: National Theater Ticket Center 0570-07-9900 or 03-3230-3000 (some IP phones, etc.)
※ Yes Child Services. For inquiries: Kids event · Moms 0120-788-222 (reservation required · Capacity limit · Charge)
Limited number of tickets: You can book up to 8 by one application. Application limit 4 times.
Type of seats and fees:
All designated seats: ¥ 4000
Payment methods: You can choose in front of the reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please accept the cashier after Wednesday, November 7, 2018.
FamilyMart: Please pick it up at the Fami port terminal of the store after November 7, 2018 (Wednesday).
Nakamura Matsue (Nakamura Matsue) is a famous Kabuki actor's name. The shop name is Kagaya. The regular print is Ume Yagito.
Nakamura Utemonomon 's nameplate of the castle muscle. The third generation Nakamura Daikichi, who was adopted for the second generation, once claimed "Nakamura Matsue", but it is not counted for generations because it later returned to the previous name.
Nakamura Tozo (Nakamura Tojo) is a famous Kabuki actor's name. The shop name is Kagaya. The regular print is Ume Yagito.
Nakamura Utemonomon 's nameplate of the castle muscle.
Nakamura Yoshimemon (Nakamura Kichimon) is a famous Kabuki actor's name. There are two Sanoogawa shops in the middle of the Edo period, and two harbor shops after the Meiji era. Today just saying "Nakamura Yoshiemon" usually refers to Yoshonemon of the Harima branch.
The shop name is Sanoogawa shop. Family female representative of the treasure calendar · Family with the younger brother of the original Sano River chrysanthemum as the ancestor.
Location: Knowledge Theater (Granfront Osaka North Building 4th Floor)
Time reception: 2018/11/10 (Sat) 11: 00 ~ 2018/11/21 (Wednesday) 11:00
Time acceptance: Friday, 23 November 2018 13: 00 - 2018/11/24 (Saturday) 18:00
Notes:
※ Please do not enroll children in kindergarten
Limited number of tickets: You can book up to 4 tickets with the application. Application limit 1 times. Number of requests accepted Until the third request with an application
Type of seats and fees:
All designated seats: ¥ 4,000
Service fee: ¥ 302
Payment methods: You can choose in front of the reception desk.
Credit Card: We will pay at that time of winning.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs pay per view times
Online Banking: Please pay before the deadline of show at that time of registration.
Delivery【Express delivery service】: This delivery is in mid-December
Seven - Eleven: Please accept it at the cashier after Sunday, December 1, 2018.
FamilyMart: Please pick it up at the Fami port terminal of the store after Sunday, December 1, 2018.
Katsura Nanko is a famous storyteller in Japan. He is the third generation of " Amateur Kaijin Kai ".
He was born on December 8th, 1951 in Osaka Prefecture .
In March 1970, he entrusted Katsura Small Rice (the second generation of Katsura-sho-jong ) of the tenth generation, and appointed the third generation Katsura Utako (later renamed as Katsura Kaneko ).
In 1972, he appeared on the first stage of Umeda top hot theater.
November 1984 "The 1st Katsura Bekka Singles Concert" held at Sankei Hall .
In October 1993 he hosted the "Pleasant! Everyday".
November 1993 Assassination of the third generation Katsura Nanko .
From 2004, the annual rakugo association with Kei Bunraku , Laugh Fighter Bowl , " The Three Confidential Three Dimension Signboard Sign Billboard Signs for Dreams " were held, fees exceeding 6,000 yen, which is unfettered as a rakugo party, become topical.
Katsura Namboko has received a lot of awards during his career. In 1979, he received " Comedy Comedy Grand Prize " Silver Award, "Comedy Comedy Award" Gold Award in 1988 and in 1994 "Comedy Comedy Grand Prize" Grand Prize
Hideki Togi (東儀 秀樹 , Tōgi Hideki, born 12 October 1959, in Tokyo) is a Japanese composer, gagaku musician, and actor. His current label is Universal Music (transferred from Toshiba-EMI in 2007).
Shin Miura (Miura shigi, real name same, 1976 (September 23, 1976) -) is a Japanese novelist, essayist. Woman.
I am from Tokyo. My father is a researcher of literary literature and traditional literature, and Yukiyuki Miura, emeritus professor at Chiba University.
He graduated from Yokohama Twiza Middle School · High School and entered the first literature department of Waseda University in April 1995 (Heisei 7). In the following year, I go to the department of literature department of the same department of theater. Initially, Miura is an editor who wants to get a job at a publishing company, and in 1998 (Heisei 10) when it was 4 years old, he was engaged in job hunting for publishing companies. During that activity, Takuro Murakami, editor of the interviewee who read the composition of Miura during the entrance examinations of Hayakawa Shobo, found a talent for writing in Miura. In response to Murakami's recommendation, Miura began serializing the Weekly reading essay "Shindo no Shiori" on the "Boiled Eggs Online" site since November the same year. At the end of the same year Murakami left Hayakawa Shobo, established a copyright agent "Boiled Eggs" and encouraged Miura to turn to a writer. About 20 companies interviewing publishers and editorial productions are also annihilated due to the occupational glacial period of employment. He graduated from university in March 1999 as it is. I will work part-time in the affairs of a foreign-owned publishing company by introducing my friends, but I can not respond to the phone that frequently takes in English from the company's home country and quit in about three months. After that, I worked as a part-time job at a large-scale old book store "Macha book store" in front of Machida station until 2001 (Heisei 13).
I was strongly urged to write a novel from Murakami who launched Boiled Eggs, and was proposed to be able to write if it is "my job hunting activity", and he began writing from the fall of 1999 (Heisei 11) . In 2000 (Heisei 2000), I published a virgin novel "A fighting person ○" (Kusansei) which I wrote over 3 months based on my own job hunting experience. However, "I think this is different, I do not want to write", and after that I could hardly feel as a writer. Two years later in 2002 (2002), seize the response that approached at the fourth work "Secret Garden". After that, in 2005 (Heisei 17) he was a candidate for the Shogun Yamamoto Award in "I started to talk", and in July of that year he became a candidate for Naoki award in "Tanashi no Tanashi". It was a time when these three works were the most trial and error.
Location: Tokyo International Conference Center B 5
Begining: November 10, 2018 Saturday 10:00
Notes:
※ If you want to see in the wheelchair space, please
Ticket registration at Kyodo Tokyo's call center.
(Weekdays 11: 00-18: 00 / Saturday, Sunday and Public Holidays 10: 00-18: 00)
※ Not in kindergarten
Limited number of tickets: You can book up to 8 by one application. Application limit 4 times
Type of seats and fees:
All designated seats: ¥ 4000
Payment methods: You can choose in front of reception desk.
Credit card: The payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ATMs; pay per view times
Online Banking: Please pay before the deadline of show at time of registration.
Delivery 【courier service】: We will delivery within approximately one week after payment is completed.
Seven - Eleven: Please check at the cashier after 10th November 2018.
Family Mart: Please pick it up at the Fami port terminal of the store after November 10, 2018 (Saturday).
Kensuke Yokouchi (Yokochi Kenshuke, September 22, 1961 -) is a Japanese director, playwright. It is presided over by the theater company Dojo.
Born in Tokyo. Along with the transfer of the father, I spent from elementary school fifth grader to junior high school first grader at Kokura Kitakyushu city, Fukuoka prefecture where my mother is from.
In 1979, at the Atsugi High School in Kanagawa Prefecture, a virgin work "Sansho fish!" Was awarded the Excellence Award and Creative Screenplay Award at the National High School Theater Competition. Hakko speri and Okamori Nen have appeared as a drama staff at this time, and are also seated at "Doorsa" (see below).
After graduating from high school, she plays the theater company "good people meeting" at the Waseda University first literature school (1982). The theater company was later renamed "door theater".
In addition to the production and production in the theater company in Yokouchi, there are many writings to other producer performances. Ichikawa Mononosuke's Super Kabuki "Shin Sangokushi" trilogy, V6 Tony Sen's "Youth" trilogy, Saison theater (Therese · Theaters Ginza), "Saitama Tree Tree", Saitama Super Arena Kokure Overflowing Work , Directed by Yukio Ninagawa "Bird of Fire".
Over the past few years we have crossed the theater and played a role in the opening ceremony of the National Cultural Festival held in Fukuoka Marine Messe, "Life Issue". Aichi Japan - Aichi Prefecture Museum 's attraction "Earth Taihen' s Great Lecture Meeting" is also involved. In July 2006, Fuji TV drama "Dandori. ~ Dance ☆ Drill ~ 」also wrote the script. As of 2008, he is also a vice president of the Japan Playwright Association.
In September 2008, in commemoration of the 30th anniversary of Atsugi City Cultural Hall Opening Ceremony, nearly 170 citizens and a citizen play "River Song Everlasting Huckle Berry · Finn" appeared by Atsugi Noriko Sakakibara and Koizumi Kyoko · Directed.
In November - December 2011, "Hakana" (Hakana, the original name) was performed in Seoul National University Korea by Korean theatrical company Shogetsuki in Korean translation.
Martina Eileen Hernandez delas Alas-Sibayan (born November 11, 1964), professionally known as Ai-Ai delas Alas, is a Filipino film and television actress managed by the King of Talk Boy Abunda. Delas Alas first gained nationwide recognition for her film Ang Tanging Ina (2003), which became a blockbuster hit. On account of the film's popularity, a television series spin-off was produced, as well as three sequels: Ang Tanging Ina N'yong Lahat (2008), Ang Tanging Ina Mo (Last na 'To!) (2010) and Enteng ng Ina Mo (2011), with delas Alas reprising her role. Her latest film is Our Mighty Yaya, which premiered on May 10, 2017 through Regal Entertainment.
Delas Alas is the daughter of Rosendo delas Alas (1920–2008) and Gregoria delas Alas née Hernández (died 30 December 2013), and was later adopted by her older, unmarried aunt, Justa delas Alas. She earned a mass communication degree from Far Eastern University (FEU) in 1985.
She was married to actor Miguel Vera, with whom she had two children; she also has a son from a previous relationship. Before acting, she worked as a sales assistant in a department store, and also performed as a stand-up comic in comedy bars around Metro Manila. On April 3, 2013, she married Jed Salang, at the time a 28-year-old unemployed man who was 20 years her junior. The marriage ended after a month, with delas Alas confirming their separation on May 19, 2013. Delas Alas confirmed through Instagram her engagement to Gerald Sibayan in April 2017; the two married in November 2017.
Onigami Kikunojo is a famous ruins of the upper tail of Japanese dance.
Born in Tokyo. Room story of Kaigoro Okami, the sixth generation of Kabuki who was the first family owner and creator of Onomichi, was the first stage as a Kabuki actor in the name of Kotoshiro Onoe in July 1919. Turned to dancing in 1921, studied under Fujima 5th generation Muneuchi Fujima Kanjiro. In 1930 he became Natori, and inherited the second generation of the tail upstream in 1948. Activities such as dance of flower streets from the dance of Otaya. He died when visiting Hawaii with a performance in August 1964, traveling to the United States with a performance schedule of six months in 1954. "Chiba Ukuhaki" "Ishibashi" "Kishu Dōjyūji" and so on.
Born in Tokyo. The first nephew. I was 9 years old and studied under the first generation. Inherited the third generations in 1964. Along with the inheritance of the eldest son of 2011, he himself claims to be the first Onoei ink. Actress Onoei purple is her daughter.
Born in Tokyo. In Heisei 2011 (2011), the eldest son of Kikunijo 2nd generation, Onoe Aoyama attacked the third generation Kikunijo and succeeded the fourth generations. My older sister is a Japanese dancer and actress Sho Onoe.
Taro Ichiro Nomura (Namura Gochiro, 1990 (Heisei 2) -) is a Japanese Kyogen dialing Izumi Nobuna. I am from Tokyo. My eldest son, Nomura Manzojo, the grandfather of Nagura Wannojyo (a pursuit of the eighth Nomura Menzo), Nomura Mansan (VIII Nomura Manshi, Human National Treasure, Member of the Japan Art Institute, President of the Japanese Performing Arts Conference Association).
Members of the public interest corporation Noh music association.
Location: Noh Nagoya Theater
Begining: 2018/10/12 (Friday) 10:00
Notes ※ Depending on the inevitable circumstance, There may be cases in which performers, songs, etc. will be changed
※ Admission of kindergarten children is not accepted even if accompanied.
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Seats: ¥ 8,000
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Fukuoka Kazuyuki (Fukuo · Kazuyuki, 1973 (July 30 - Showa 48) -) is Waki way Fuku royal music master. I am from Nishinomiya city, Hyogo Prefecture.
The eldest son of Mr. Shigeruro Fukuo, Fu Dynasty 16 Sōu. Studied under the father. My younger brother is Fukuo Noto (Noh music), Fuyu Tadayo (Soccer player).
Minoru Umewaka is a retirement name of Umewaka family who follows Kanze style Noh.
Rokuro Umewaka LVI succeeded to Minoru Umewaka IV in February 2018.
Rokuro Umewaka (born on February 16th, 1945) is a Kanze style Noh actor. He is a member holding a living national treasure of Japan, and a member of the Japan Art Institute. In 2009 he renamed himself Gensho Umewaka.
Known as one of the modern day Noh actor, he has won numerous awards. Also known as being ambitiously working on new work, his performed following acts for the first time: "Yume no Uki hashi" written by Jakucho Setouchi, "Kurenai Ten nyo" written by Suzue Miuchi, "Kukai" written by Masaki Domoto, "Garasha" and "Osaka Castle"written by Tojiro Yamamoto, "Nukata no okimi" written by Akiko Baba, "Nekia" directed by Michael Marmarinus, and "Kakuban" written by Genzo Murakami.
Shinji Ueda (Shinji Ueda, Shinji Yamamura & Shinji Yamamura & lt; Yamamura Shinji & January 1, 1933 -) is a playwright and director born in Osaka Prefecture. Exclusive to Takarazuka Revue Company. From 1996 to 2004 he served as the chairman of the opera group. Currently he is a special adviser to the same society and president of the Japan Theater Association.
My father died suddenly and my mother was alive, and she was taken over by a couple in Kobe. It evacuated to Fukui during the wartime. "During the war, I lost my family home in Kobe due to air raids, and I also fired an air raid in Fukui, the evacuation destination," in an interview with the Japanese Red Cross Society.
After that, I spent my school days playing as a youth and graduated from Waseda University 's first department of literature department of theater department. In February 1957 he was employed by the Takarazuka Revue Company as a production assistant. It was an introduction of the former star of the theater company, Kuniko Reehara. In the same year I made a director debut with "God who flew down". In the early days I work on many small works such as dance plays.
In 1973, as the first single musical "Takarazuka grand roman" of the flower god male service top star star Aki Nishi brilliantly, he wrote "This love is the last of the clouds" as his own single musical.
"Rose of Versailles" premiered in 1974 was inspired by Kazuo Hasegawa directing screenwriter to be nominated as a script writer. Based on information from Takarazuka fans, I chose Miki Ikeda's comic as a theme, but at the beginning Hasegawa also showed its color and criticism from various aspects such as manga fans, but I came to the stage and attracted the Takarazuka boom after that It became a thing.
We also directed the director in 1977, "Gone with the Wind", when Onoeki Matsukuri Opera Group put more effort than "outside".
From 1994 to 1996 he served as President of the Hankyu Toho Group affiliate · Takarazuka Creative Arts (a sales company for performances of the opera performances and CDs etc.), and in 1996 he became president of the opera group (at the same time as Director of Hankyu Electric Railway Company Inaugural). Until I retired in 2004, I served as a steering stone for the transformation period, including five composers of the opera team (newly established) and newly decorated the Tokyo Takarazuka Theater. After retiring, he is acting as a playwright / director while serving as a special advisor to the theater company.
Fujima Kanjiro (Fujima Kanjuururo) is a famous name of the Fujima Shirin Jyuro faction. Mr. Fujima Famiyoshi of the 8th generation of the era.
Originally the first generation, the later third generation Fujima Emperor. Below is not the alphabet name "Kanrou" which Fujima Gyougi gave her name temporarily, instead of algebra, "Yujiro Fukuro" adopted by his adopted child is the first generation.
Kanjiro Fujimane (Kanbun 8 years (1796) - Tenpo 11 December 24 (January 16, 1841))
A daughter of Osaka 's dance Seyama (or Sasaga) family clan, adopted by Fujima Emperor of Third generation. Daisuke Seyama, the first generation Daisuke Fujima. Since 1818 he has practiced in Osaka for about four years, when his adopted father passed away at that time, he went back to Tokyo in 1823 and called Daisuke Iwai, but he returned to Fujima Daisuke. In 1831, without appointing the adoptive adoption of adoptive adoption of a foster parent, he appointed another house in Kayabacho and appointed Kanjiro. Make choreographies of change dances of Nakamura Utemon 4th generation, Seki Seki 2nd generation. Famous choreography such as "with a bid", "retaining name", "Fujin girl" etc. "A dancer" is a nickname.
Mirai may refer to:
Ami Sato (Sato Ami, January 29 -) is a Japanese voice actor, stage actress, free announcer. There is the possibility of acting with "give up". I am from Miyagi prefecture.
Theatrical company wheat
TAMAMO Project (October 19, 2011) Extra
Revolutionary Idol Runaway ("Name")
Reptile planning
Kyōgen together with Nō is part of Nōgaku theatre. Kyōgen is sometimes compared to the Italian comic form of commedia dell'arte, which developed around the same period (14th century) and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies.
Kyōgen is thought to derive from a form of Chinese entertainment that was brought to Japan around the 8th century. This entertainment form became known as sarugaku and initially encompassed both serious drama and comedy. By the 14th century, these forms of sarugaku had become known as Noh and kyōgen, respectively.
Kyōgen provided a major influence on the later development of kabuki theater. After the earlier, more ribald forms of kabuki had been outlawed in the mid-17th century, the government permitted the establishment of the new yarō-kabuki (men's kabuki) only on the grounds that it refrain from the previous kabuki forms' lewdness and instead model itself after kyōgen.
Noh had been the official entertainment form of the Edo period, and was therefore subsidized by the government. Kyōgen, performed in conjunction with Noh, also received the patronage of the government and the upper class during this time. Following the Meiji Restoration, however, this support ceased. Without government support, Noh and kyōgen went into decline, as many Japanese citizens gravitated toward the more "modern" Western art forms. In 1879, however, then-former US President Ulysses S. Grant and his wife, while touring Japan, expressed an interest in the traditional art of Noh. They became the first Americans to witness Noh and kyōgen plays and are said to have enjoyed the performance. Their approval is believed to have sparked a revival of interest in these forms.
In modern Japan, kyōgen is performed both separately and as a part of Noh. When performed as part of a Noh performance, kyōgen can take three forms: a separate (comic) kyōgen play, performed between two Noh plays (inter-Noh), which is known as honkyōgen (本狂言, actual kyōgen), as a (non-comic) scene within a Noh play (intra-Noh, between two scenes), which is known as aikyōgen (間狂言, in-between kyōgen, kyōgen interval), or as betsukyōgen (別狂言, special kyōgen).
In aikyōgen, most often the main Noh actor (shite) leaves the stage and is replaced by a kyōgen actor (狂言方 kyōgen-kata), who then explains the play (for the benefit of the audience), though other forms are also possible – the aikyōgen happening at the start, or the kyōgen actor otherwise interacting with the Noh actors. As part of Noh, aikyōgen is not comic – the manner (movements, way of speech) and costume are serious and dramatic. However, the actor is dressed in a kyōgen outfit and uses kyōgen-style language and delivery (rather than Noh language and delivery) – meaning simpler, less archaic language, delivered closer to a speaking voice – and thus can generally be understood by the audience, hence the role in explaining the play. Thus, while the costume and delivery are kyōgen-style (kyōgen in form), the clothing will be more elegant and the delivery less playful than in separate, comic kyōgen. Before and after aikyōgen, the kyōgen actor waits (kneeling in seiza) at the kyogen seat (狂言座 kyōgen-za) at the end of the bridge (hashigakari), close to the stage.
The traditions of kyōgen are maintained primarily by family groups, especially the Izumi school and Ōkura school.
Succeeding the tradition of the puppet troupe Yoshida Denjiro-za:
From the early 17th to mid-20th century, there existed numerous puppet troupes in Awaji Island. Some were big and others small. They performed not only inside the island but travelled around larger areas of Japan to show their elaborate puppetry. The present-day Awaji Puppet Theatre Company performs having inherited all the properties of the Yoshida Denjirô-za, one of the biggest troupes in Awaji.
Yoshida Denjirô-za was listed in a 1741 document as one of the 38 troupes of Awaji. Based off historical documents which confirm its history, we understand that the troupe owned a performance license and travelled all throughout Japan. Other big troupes, Uemura Gennojô-za, Nakamura Kyûdayû-za, and Ichimura Rokunojô-za, also gave tour performances around Japan in the same way. Yoshida Denjirô-za recruited several members from another troupe, Kobayashi Rokudayû-za, during 1890s and 1910s and made a junior group. The senior and junior groups gave performances separately.
The troupes visited Tokushima, Sanuki (in Kagawa), Iyo (in Ehime), Kii (in Wakayama), Harima (in Hyogo), and coastal areas around the Sea of Japan as well as local villages inside Awaji. Among them, they seem to have established a strong connection with the Iyo region, as the troupe possessed a variety of masks of gods and animals created by a well-known mask maker of the region, Menmitsu Yoshimitsu.
Yoshida Denjirô-za excelled at performances of the piece Honchô nijushikô (Our Country’s Twenty four Paragons of Filial Piety). When they performed this piece in front of the feudal lord of Matsuyama, a daughter of the lord gave the troupe a gorgeous kimono cloth and colorful fusuma (a stage setting) with embroidered chrysanthemum patterns. This property is said to surpass any of the other troupes. The troupe made several donations to famous shrines Konpira-jinja and Sanjô Hachiman in Kagawa prefecture. In February 1916, the troupe was invited to the opening event of Uchiko-za Theatre in Ehime prefecture. They performed Imoseyama onna teikin (Proper Upbringing of a Young Lady at Mount Imose) for eleven days under a contract of 320 yen (roughly 200,000 yen in today’s market) for the performance fee.
In the 1930s, the troupe was so popular that famous figures such as writer Hayashi Fumiko (1903-1951) and actor Hanayagi Shôtarô (1894-1965) paid visits to the theater. However, the financial condition of the troupe gradually deteriorated, and it ceased activity at the end of World War II. The owner quit puppetry and opened an antique shop. After the war in 1957, the owner had been listed to become the promoter for a project to erect a monument designating the origin of the ningyô jôruri puppetry tradition in Awaji. However, as he did not have an appropriate successor, he instead donated all the properties, including historical documents, to the Association of Awaji ningyô jôruri. Thus, the Awaji Puppet Theatre Company was established and has taken over the tradition of Yoshida Denjirô-za.
The birth of the Awaji Puppet Theater:
Awaji puppet plays were once very popular in the Edo period (1603-1868). It was sponsored by the feudal lord of Tokushima as well as local influential people and was enjoyed in various areas inside and outside Awaji. However, after the Meiji Restoration (1868), it gradually lost the interest of the people because of the emergence of new forms of entertainment. It also failed to capture the interest of young successors in the profession due to how demanding training is. After World War II, the Awaji puppet play tradition was in danger of vanishing. In this crisis, a new puppetry troupe, the Awaji Puppet Theatre Company, was established in 1964 with the support of the local people who well understood the value of this unique tradition and wished to keep it.
The troupe’s activity is highly regarded not only in Japan but also in many foreign countries. It has been invited to perform in 20 countries and areas in USA, Russia, Europe, Asia, and Oceania. The troupe has also conducted educational programs in local children’s associations, elementary schools, junior and senior high schools, and young people’s associations in order to foster successors to the tradition.
History of over 500 years:
In the past, Awaji puppeteers travelled all over Japan and performed in temporary theatres in outdoor fields called nogake. After the Awaji Puppet Theatre Company was established, it initially gave performances at a public hall in the Ichi district, believed to be the birthplace of Awaji puppetry. In 1968, the troupe’s base was moved to the Fukura area, which is a port town and welcomes many tourists with various ocean activities. In 1985, it moved into a new complex facility built on a hill, Onaruto-kyo Memorial Hall. Finally, the current theatre, especially designed for puppetry, was completed in Fukura in 2012. And now, the audience can enjoy various human dramas, embodied by puppets, human narrative, and shamisen music every day.
Important Intangible Folk Cultural Property:
Supported by the people’s effort to protect local tradition, the Awaji puppet play tradition has survived a number of crises and hardships. The members of the Awaji Puppet Theatre Company diligently devote themselves to everyday training in order to pass down this art to the next generation with pride and hope.
It takes long time to master this art. For example, in order to achieve effortless mastery, seven years are required for manipulating the feet of a puppet, seven more years for the left hand, and a lifelong period for the head and the right hand. The members engage in this tradition, understanding both the difficulty and the joy of the art form. In this current society where mass consumption prevails, many traditional arts have been forgotten, but we eagerly try to absorb and embody the essence of this wonderful traditional art and wish to hand it down to the next generation.
Awaji Doll seat originated in Minami-Awaji-shi. At the end of the Muromachi period, it is said that the puppeteer of "Nishinomiya Shrine, Hundred Taio" is farmers stayed at Sanjo Village (now Minami-Awaji-shi ). In the Edo period more than 40 dolls visited the country nationwide. After the Meiji period, many locals disappeared, but in 1964 "Awaji Ningyo" was established to protect the local arts. Minamiawaji City continued large naruto stage in Memorial Hall.
On Awajishima there are various figurines from the beginning of the Edo era to the beginning of Showa era, and not only in Awaji Island but also all over the country, it is the charm of Ningyo. Awaji Ningyo inherits Yoshida Shojiro, one of the large places, and has stage performing. As well as the three-seat of Genji, His and Rokko, we toured the countries with gifts owner's license.The main cruises were Awaji, Tokushima, Sanuki, Iyo, Kii, Harima, San-in Road, Hokuriku-do and others, especially seemed to have many customers. It is said that there are curiosities in the head of the animal, such as fox, tiger, spider, etc, whether it is said to be an excellent item of surface light, starting with the side of lieutenant and black lieutenant.
Ningyo joruri Bunraku was declared UNESCO as "masterpiece on oral and human intangible heritage of human beings" in 2003 (Heisei 15), and "2008 representative list of representatives of human intangible cultural heritage" in 2008 It was stated in.