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Hanjyo Competition Kyogen 's Association (Izumiya × Ozaki Stream)

異流競演 狂言の会(和泉流×大蔵流)
Stage/Dance/Comedy Traditional show

Thanks to Kyogen 's second major school, Izumi Ryu and Kuranomi I will give you a luxurious competition of Nomura Manshan, Nagatake Ryuji and Yoshitake Ryuhei brothers in the land of Ishikawa. Ishikawa is a stage rarely seen. Please come and visit the site. Venue: Ishikawa Prefecture Noh Theater (Ishikawa Prefecture 4-18-3 Kanazawa City Tel: 076-264-2598)
 
Concert Day: Sunday January 26, 2019
 
Opening: 13: 30 (Opening 12: 30)
 
Admission fee: 3,000 yen (seats "All seats free") Free up to high school students
 
Songs / Performances / Performers
 
 Commentary Nomura Nomura, Takashi Yoshitsutsu
 Kyogen "Sake of Chi" (Hinode) Taro Nakamura (Izumiya)
 Kyogen "Sell Kelp" (Bunkari) Daimyo Yoshitake Takashi (Kanzo Flow)
            Kombu sales Ryuhei Tadatake (Komori flow)
 Kyogen "Shippuki" (Tsuriki) Taro Nomura Menzo (Izumiya)
 
Seat: All seats Free Ishikawa Prefecture Nohkakudo
Hanjyo Competition Kyogen 's Association (Izumiya × Ozaki Stream)

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Ryuhei Zenbutsu (Ruyuhei)
He was the second son of Zenichiro Yayutake and studied with his father. At age 5, the first stage in kenogen "monkey".
"Three No.3" "Fake Fish" "Nasu" "Hanako" will be shown.
Lecturer, Theater Faculty, Takarazuka Kita High School.
"Fiscal year 10 Kobe Green Letter Award"
"Heisei 10th Osaka Festival of Culture Award"
"2003 Hyogo Prefecture Art Award," "Kobe Culture Kiwanis 3rd Prize"
2006 "New Artistic Artist Award"
2011 "Osaka Cultural Festival Award" received the "
Heisei's 20th Anniversary of Fine Arts Festival

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Miura Nomura (born in December 23, 1965) is a famous Kyogen focused Izumi style Noh actor. Lecturer of Tokyo National University of the Arts, Obirin University and Seinenza Theater Company. He is a honorary citizen of Tokyo.

He leads the Manzo Nomura family's organization "Yorozu Kyogen" and as a 9th head of a family, he is active not only in Japan but also overseas.

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On the other hand, he's involved in restoration and also creation of new Noh and Kyogen, and pursues potentiality of Noh performance.
He is actively engaged in appearances, directing and collaboration with other entertainment to domestic and foreign contemporary theater work. He also produces performances that look forward to exchanges across styles and families and latter training, and works to spread, develop and improve Noh performances.

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