Shūji Terayama (寺山 修司 , Terayama Shūji, December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. Many critics view him as one of the most productive and provocative creative artists to come out of Japan. He has been cited as an influence on various Japanese filmmakers from the 1970s onward.
Terayama was born December 10, 1935, in Hirosaki, Aomori, the only son of Hachiro and Hatsu Terayama. His father died at the end of the Pacific War in Indonesia in September 1945. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. Terayama lived through the Aomori air raids that killed more than 30,000 people.
Terayama entered Aomori High School in 1951, and in 1954 he enrolled in Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film Throw Away Your Books, Run into the Streets! (書を捨てよ、町へ出よう ).
In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film Les Enfants du Paradis and literally translates to "ceiling gallery" (with a meaning similar to the English term "peanut gallery"). The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard" (青ひげ ), "Yes" (イエス ), and "The Crime of Fatso Oyama" (大山デブコの犯罪 ), among others. Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. Playwright Rio Kishida was also part of the company. She viewed Terayama as a mentor, and together they collaborated on Shintokumaru (Poison Boy), The Audience Seats, and Lemmings.
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