Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings.
Hampson's operatic repertoire spans a range of more than 80 roles, including the title roles in Mozart's Don Giovanni, Rossini's Guillaume Tell and The Barber of Seville, Ambroise Thomas' Hamlet, and Tchaikovsky's Eugene Onegin. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca.
As a recitalist Hampson has won worldwide recognition for his thoughtfully researched and creatively constructed programs that explore the rich repertoire of song in a wide range of styles, languages, and periods. He is one of the most important interpreters of German Romantic song – especially known for his interpretations of the music of Gustav Mahler – and, with his "Song of America" project collaboration with the Library of Congress, has become known as the "ambassador" of American song.
Hampson's diverse and expansive discography has earned him an Edison Award for Lifetime Achievement, four Edison Awards, four Echo prizes, numerous VEB Deutsche Schallplatten, Gramophone Awards, and Grand Prix du Disque, as well as six Grammy Award nominations, and one Grammy Award.
Dame Elisabeth Schwarzkopf once said of her student, "[Thomas Hampson is] the best singer in Europe right now."
Born in Elkhart, Indiana, Hampson has two older sisters, with whom he sang in church as a child. He grew up in Spokane, Washington, where he enrolled at Eastern Washington State College (now Eastern Washington University) in Cheney, majoring in political science/government. Concurrently, Hampson earned a BFA in Voice Performance at Fort Wright College under the tutelage of Sister Marietta Coyle. During the summers of 1978 and 1979, he studied under Gwendolyn Koldowsky and Martial Singher at the Music Academy of the West, where he won the Lotte Lehmann Award. He then continued his studies at the University of Southern California, where he worked with vocal coach Jack Metz and the baritone Horst Günter, a lifelong mentor. In 1980, as a consequence of winning the San Francisco Opera audition, he competed in the Merola Opera Program, in which he met Elisabeth Schwarzkopf. In 1981, he was one of the winners in the Metropolitan Opera National Council Auditions national finals.
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