Ito Takayuk was born in Kota-cho in 1978. He played brass band at junior high and high school. After that, when participating in a music college workshop, he was advised to enroll in vocal music and then he studied the vocal course department of Nagoya University of Arts Music Faculty of Music.
In 2008, he appeared in "Young Opera Singer Concert" in Montreal, Canada and gained popularity. He performed at the Italian Cultural Institute in opera "La Boheme" as Collinie.
Toshiaki Komada is an opera singer from Aichi prefecture. He graduated from Tokyo University of Arts. After completing a 3-year training at the New National Theater Opera Training Center, she studied in Berlin, Germany.
In 2012, he was selected as an audition for the role of Ramiro in the role of Ramelo. In this year, he was awarded the Labberte-Hoedemaker Award as a vocal representative for the final concert of the music festival. In parallel with the opera concert activity, he is constantly focusing on the performance of German songs.
Hiroko Koda was born in Toyonaka city, Osaka prefecture in 1971. She is a Japanese soprano singer. Her sister is Satoko Koda of the violinist. She grew up with parents deep in understanding and knowledge of music. After graduating from Toyonaka Senior High School in Osaka Prefecture, Hiroko Koda entered the Vocal Music Department of Tokyo National University of Fine Arts and Music.
In 1997, she graduated from Tokyo National University of Fine Arts and Music Vocal Music Department. Two years of study abroad in Italy · Bologna with the qualification of a foreign trainee dispatched artist from the Agency for Cultural Affairs. In 2000, she signed a two-year exclusive contract with Vienna Volksoper and won the 38th Exxon Mobil Music Award for International Music Award.
Mihoko Fujimura Mezzo Soprano
Mihoko Fujimura made her debut at the Bayreuth Festival in 2002 as Fricka in Der Ring des Nibelungen, returning for 9 years as Waltraute, Erda, Brangäne (Tristan und Isolde) and Kundry (Parsifal).
Other engagements include performances with the opera houses of Staatsoper Wien, Royal Opera House Covent Garden London, Teatro alla Scala Milano, Staatsoper München, Maggio Musicale Fiorentino, Théâtre du Châtelet Paris, Deutsche Oper Berlin, Große Festspielhaus Salzburg, Semperoper Dresden, Teatro Carlo Felice Genoa, Teatro Colón Buenos Aires, Teatro Real Madrid and Hamburgische Staatsoper. Her operatic repertoire includes Kundry, Brangäne, Venus, Fricka, Erda, Carmen, Melisánde, Amneris, Eboli, Fenena, Azucena, Idamante, Octavian and Klytaemnestra.
She has performed in concert with the Wiener Philharmoniker, Royal Concertgebouworkest Amsterdam, Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, Accademia Nazionale di Santa Cecilia Rome, Orchestra Filarmonica della Scala, Münchner Philharmoniker, London Symphony Orchestra, London Philharmonic Orchestra, Orchestre Philharmonique de Radio France, Orchestre de Paris, Gewandhausorchester Leipzig, Sächsische Staatskapelle Dresden, Suisse Romande Orchestra, Boston Symphony Orchestra, Philadelphia Orchestra, National Symphony Orchestra Washington, Montreal Symphony Orchestra, Israel Philharmonic Orchestra, Lucerne Festival Orchestra, Bamberger Symphoniker and Mahler Chamber Orchestra.
Concert repertoire includes Verdi Requiem, Mahler Das Lied von der Erde, Rückert-Lieder, des Knaben Wunderhorn, Kindertotenlieder, Wagner Wesendonck-Lieder and Schönberg Gurre-Lieder.
She appears regularly with conductors such as Claudio Abbado, Christian Thielemann, Zubin Mehta, Christoph Eschenbach, Bernard Haitink, Mariss Jansons, Colin Davis, Kurt Masur, Riccard Chailly, Michael Gielen, Andris Nelsons, Yannick Nézet-Séguin, Kent Nagano, Fabio Luisi, Daniele Gatti, Simon Rattle, Charles Dutoit, Semyon Bychkov, Myung-whun Chung, Franz Welser-Möst, Donald Runnicles, Jesus Lopez Cobos, Daniel Harding and Adam Fischer.
She has recorded Brangäne with Antonio Pappano for EMI Classics, Gurre-Lieder with the BRSO and Mariss Jansons, Mahler Symphony No. 3 with the Bamberger Symphoniker and Jonathan Nott, and Beethoven Symphony No. 9 with Christian Thielemann and the Wiener Philharmoniker. For Fontec she has released six solo recital discs with pianist Wolfram Rieger, conductor Christoph Ulrich Meier, singing works by Wagner, Mahler, Schubert, Strauss, Brahms and Schumann.
In 2014 she was awarded the Purple Ribbon Medal of Honour by the Japanese Government for her contribution to academic and artistic developments, improvements and accomplishments.
Kuroda Hiroshi is a baritone singer from Kyoto City, Kyoto Prefecture. He is also a professor atKunitachi College of Music, member of the second term conference.
He studied in Italy for two years since 1989. He studied under Rosetta Erie, Carlo Mericiani, and Aldo Plotti.
He has appeared in various works such as Earl of Almaviva, Figaro, Don Giovanni, Papageno, Gurielmo etc of Mozart's 4 big operas
Akiyama Kazuke (Kazuyoshi Akiyama, January 2, 1941) is a well-known conductor in Japan, graduated from Toho Gakuen Music College. He is a conductor at Tokyo Symphony Orchestra, Vancouver Symphony Orchestra, Hiroshima Symphony Orchestra Honorary and president of the Japan Conductor Association (fifth generation). He is well versed in brass bandnes, and he is a special conductor and art advisor to musical band groups.
Kazuyoshi Akiyama was born into a musical family, he studied piano at the Toho Gakuen School of Music, but was fascinated by the conducting activities of a fellow student, Seiji Ozawa. He decided to study conducting with Hideo Saito. In 1974, Akiyama made his debut with the Tokyo Symphony, and within two months, he was named the orchestra’s Music Director and Permanent Conductor.
The debut performance was at the Tokyo Symphony Orchestra in 1964, next the Osaka Philharmonic Orchestra, then he became the deputy conductor of Toronto Symphony Orchestra of Canada. The conductor took over as Vancouver Symphony Orchestra music director and a music director of the American Symphony Orchestra and Syracuse Symphony Orchestra. He has performed as guest at numerous international concerns such as: American, Canadian and European, etc,.
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera Don Giovanni. Charles Rosen makes the point forcefully:
It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
Andris Nelsons is Music Director of the Boston Symphony Orchestra and is Gewandhauskapellmeister of the Gewandhausorchester Leipzig. With these positions, and in leading a pioneering alliance between two such esteemed institutions, Grammy Award-winning Nelsons is firmly underlined as one of the most renowned and innovative conductors on the international scene today.
Nelsons began his tenure as Music Director of the BSO in the 2014/15 season and after one year his contract was extended through the 2021/22 season. Last season, the BSO and Nelsons embarked on a tour to Japan together for the first time, notably with three performances in Suntory Hall. At the beginning of the 2018/19 seasons, Nelsons toured Europe together with the orchestra for the third time since Nelsons’ Music Directorship, visiting the London Proms, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris and Amsterdam.
Nelsons gave his debut with the Gewandhausorchester in 2011, followed by regular performances at the Gewandhaus zu Leipzig in subsequent years. In February 2018, Nelsons received the title of Gewandhauskapellmeister in a four—week inaugural festival, also marking the 275th anniversary of the orchestra.
Three joint tours For the Gewandhausorchester Leipzig and Nelsons have been incorporated into the 2018/2019 season: two European tours, one in October 2018, including stops at London’s prestigious Royal Festival Hall, in Scandinavia and in Nelsons’ native city, Riga, and the other in January 2019, to venues including the new Hamburg Elbphilharmonie, Philharmonie de Paris and Vienna’s Musikverein. The season’s third tour in May/June 2019 takes the orchestra and Nelsons to Japan and China, where they will appear together For the first time.
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This article uses material from the Wikipedia article "Hiroko Kota", "Hiro Kuroda", "Andris Nelsons", "Mihoko Fujimura", "Kazuyoshi Akiyama", which is released under the Creative Commons Attribution-Share-Alike License 3.0.
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