of Montreal Asia Tour 2018
Kevin Barnes founded of Montreal, allegedly naming it for a failed romance with a woman from Montreal, Quebec. Barnes was the only member of the group prior to his relocation to Athens, Georgia. There, he met Derek Almstead (Circulatory System, M Coast, Elf Power) and Bryan Poole, who also performs as The Late B.P. Helium. Together, they recorded their debut album, Cherry Peel, and subsequent releases The Bird Who Ate the Rabbit's Flower and The Bedside Drama: A Petite Tragedy.
After production on The Gay Parade, the band's third album, began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band. Barnes then recruited James Husband and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly. Derek moved from drums to bass, and Marshmallow Coast's Andy Gonzales joined soon after. Prior to the release of The Gay Parade in 1999, of Montreal released a number of singles and a re-release of The Bird Who Continues to Eat the Rabbit's Flower.
Following the release of The Gay Parade, the band signed with Kindercore Records, and in 2001, the concept album Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse was released.[citation needed]
Kindercore Records would fold shortly after the release of Aldhils Arboretum, and Andy and Derek left the band. Barnes took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. It was released by Polyvinyl Records.
In 2005 The Sunlandic Twins was released.
Kevin Barnes recorded most of the band's 2007 release, Hissing Fauna, Are You the Destroyer?, by himself while living in Norway and Athens, Georgia. Barnes also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee. In 2007, Kevin Barnes performed five songs nude during a performance in Las Vegas. In Paris, they did a Take-Away Show acoustic video session shot by Vincent Moon.
of Montreal's next album, Skeletal Lamping, was released on October 21, 2008. It was released in ten different formats, including conventional CD and vinyl, as well as T-shirts, button sets, wall decals, tote bags, and a paper lantern, the latter formats complete with a digital download code for the album. All items for the collection were designed by The Bee With Wheels (David Barnes) and Gemini Tactics (Nina Barnes). In an essay addressing the concept behind the album's release, Kevin Barnes stated, "We feel that there's no reason to produce another object that just sits on a shelf. We only want to produce objects that have a function and that can be treasured for their singularness." In an interview with NPR, Kevin Barnes revealed that the concept of the CD may be going the way of the 8-track in favor of MP3 downloads. David Barnes joked that fans would buy the album via MP3 download and the version that comes with an amazing sandwich.
In August 2009, the band contributed a T-shirt design, which was printed and sold through the Yellow Bird Project website to raise money for the St. Judes Children's Hospital. The shirt was designed by David Barnes.
By means of a Facebook post and a Kevin Barnes interview conducted by Stereogum.com, of Montreal's album Aureate Gloom was announced. The record was influenced by "the mid-to-late 1970s music scene in New York," including bands such as Talking Heads and Led Zeppelin. The album captures Barnes' emotions borne from his separation from his wife of 11 years and its aftermath. Barnes described the album as being "all over the place musically", lending to its reflection of his mindset during the time of its creation. The album was released March 3, 2015.
In August 2016, of Montreal released Innocence Reaches, which incorporated new, EDM-inspired sounds, as well as the progressive rock sounds of the previous two albums. For the tour following the album's release, bassist Davey Pierce returned to the band, replacing Bob Parins.
On January 13, 2017, of Montreal released a new EP by surprise, entitled Rune Husk. On March 9, 2018, the album White Is Relic/Irrealis Mood was released on Polyvinyl, with singer Barnes explaining that the sound was influenced by "extended dance mixes" from the 1980s.