ANOMALOUS COLLISION 19
self deconstruction is a musical group from Tokyo,Japan under LOST RIVERS PRODUCT. The band consists of Kubine (Vocal), Kuzuha (Guitar) and Jiro (Drums).
Their sound is called “FREESTYLE GRIND/POWER VIOLENCE”. It is like insanely hybrid hardcore sound. They mixed hyper-technical and seminal guitar, cross between scream and piercing noise of female vocal, and anomalistic beat drums like carpet bombing.
They actively played at many shows through Japan. In November 2015, they collabolated gig with Japanese noise legend, MERZBOW at Obscene Extreme Asia 2015.
They keep releasing many recordings.Several Split with Agathocles, Archagathus, Richardbarker etc, and many V.A.s. The 1st MCD “Superfcial” was released on 2012, and 2nd Demo”Virtue” was released on 2014.They released 2nd album on 2016.
WORLD END MAN（ワールド エンド マン）は、ボーカル：Kiyo Nishihara、ギター：Naoto Inui・Kosuke Hashida、ベース：Yoichi Kohara、ドラム：Shigeki "UMEBO" Nakazatoの5人からなる日本のデスメタルバンドである。
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ex-stages of decomposition, 巨人大虐殺のKiyo Nishiharaを中心に2015年に大阪で結成。
S.O.B（エス・オー・ビー）は、日本のハードコア・パンクバンド。 ナパーム・デス(NAPALM DEATH)、ブルータル・トゥルース(BRUTAL TRUTH)等のグラインドコアバンドに多大な影響を与えた。
S.O.BはSabotage Organized Barbarian（サボタージ・オーガナイズド・バーバリアン）の略称であるがこの呼び名で呼ばれることはほとんどない。バンド名をつけたのはTOTTSUANで、結成当時、略語のアルファベットを並べたバンド名で考えていて、元々SOBというスラングが意味するところのSon Of a BitchからとってS.O.Bと言うバンド名にした。ただそのままだと面白くないと言う理由で、「Sabotage Organized Barbarian」の略＝S.O.Bとした。最初にリリースした1stDEMO TAPEのタイトルは「Sabotage Organized barbarian」である。 後年のインタビューで「今年の海外での活動も考え、敢えて意味を変えた」とあるが、特段大きな理由は無かった。
なお SxOxB と表記することも多く、1993年（平成5年）以降はほぼこちらの表記となっている。
バンドリーダーのTOTTSUANは、S.O.B結成以前はSKINHEADで、結成極初期はそれほどスピードも速くない、US-UK系のハードコア・パンクに触発されたバンドであった。オムニバス「LAST PUNK OSAKA」の前のデモは、このオムニバスに収録されている曲と比べても、オーソドックスな、スピードもそれなりの構成だった。
オリジナルメンバーのTUNKが「OUTO（オウト）」に正式加入する事になってしまったため、TOTTSUANはメンバーを固定させ、サウンド面での進化を考えて、全パートを再選考する事にした。 以前より目をつけていた、京都で少し前に解散していた「THE BONES（ザ・ボーンズ）」のTOSHIMI、同じく京都の「SELTIC FROST（セルティックフロスト）」をやっていたYASUE、スケートボードショップ「VIOLENT GRIND大阪店」でバイトしていて、「BRUTUS（ブルータス）」で活動していたNAOTOに声をかけ、新体制を確立。
BUTCHER ABC, apocalyptically sounding gore death metal, was founded as early as in 1994, but they properly started after the split-up of their direct predecessors, well-known as an experimental grind band called C.S.S.O.
BUTCHER ABC are fronted by an underground maniac Naru (guitarist of C.S.S.O. and the owner of Obliteration Records) and they are very active making various split records released all around the world.
Festivals
GRIND FEST 2016 / Japan
GRIND FEST 2015 / Japan
OBSCENE EXTREME ASIA 2014 / Japan
TRUE THRASH FEST 2014 / Japan
GOREGON MASSACRE FEST 2007 / Oregon, USA
MARYLAND DEATH FEST 2006 / Baltimore, USA
OBSCENE EXTREME 2004 / Czech Republic
Tours
Tour with UNHOLY GRAVE 2016
"No life till Butcher" Japan Tour 2014
West Japan Tour 2013
German Tour 2009 with DEAD (Ger), SATAN'S REVENGE ON MANKIND (Ger)
East Japan Tour 2007 with DEAD (Ger)
GORE OVER JAPAN tour 2006 with GENERAL SURGERY (Swe), IMPALED (USA)
Japan tour 2005 with HAEMORRHAGE (Spa)
Japan tour 2004 with DEAD (Ger)
Japan tour 2003 with DEAD INFECTION (Pol)
Opening act for following bands in Japan
POSSESSED (USA), EXTREME NOISE TERROR (UK), DRAGGED INTO SUNLIGHT (UK), NOOTHGRUSH (USA), NUNSLAUGHTER (USA), INCANTATION (USA), INSECT WARFARE (USA), BLOOD DUSTER (Aus), COCK AND BALL TORTURE (Ger), STARGAZER (Aus), MISERY INDEX (USA), NEURAXIS (Canada), TOXIC HOLOCAUST (USA), HUMILIATION (Maly), AGATHOCLES (Bel) and more..
Live activities
Over 180 shows since 2002
domestic bands with : COFFINS, ANATOMIA, ABIGAIL, UNHOLY GRAVE, CHURCH OF MISERY, CORRUPTED, SETE STAR SEPT etc.
"Sunday Bloody Sunday" is a song by Irish rock band U2. It is the opening track from their 1983 album War and was released as the album's third single on 21 March 1983 in Germany and the Netherlands. "Sunday Bloody Sunday" is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters, bystanders and children. At the same time, the lyrics reject hate and revenge as a response, as noted in the line "There's many lost, but tell me who has won." Along with "New Year's Day," the song helped U2 reach a wider listening audience. It was generally well received by critics on the album's release.
The song has remained a staple of U2's live concerts. During its earliest performances, the song created controversy. Lead singer Bono reasserted the song's anti-sectarian-violence message to his audience for many years. Today, it is considered one of U2's signature songs, and is one of the band's most performed tracks. Critics rate it among the best political protest songs, and it has been covered by over a dozen artists. It was named the 272nd-greatest song by Rolling Stone on their list of "The 500 Greatest Songs of All Time."
"Sunday Bloody Sunday" grew from a guitar riff and lyric written by the Edge in 1982. While newlyweds Bono and Ali Hewson honeymooned in Jamaica, the Edge worked in Ireland on music for the band's upcoming album. Following an argument with his girlfriend, and a period of doubt in his own song-writing abilities, the Edge—"feeling depressed... channelled [his] fear and frustration and self-loathing into a piece of music." This early draft did not yet have a title or chorus melody, but did contain a structural outline and theme. After Bono had reworked the lyrics, the band recorded the song at Windmill Lane Studios in Dublin. During the sessions, producer Steve Lillywhite encouraged drummer Larry Mullen, Jr. to use a click track, but Mullen was firmly against the idea. A chance meeting with Andy Newmark of Sly & the Family Stone – a drummer who used a click track religiously – changed Mullen's mind. The opening drum pattern soon developed into the song's hook. A local violinist, Steve Wickham, approached the Edge one morning at a bus stop and asked if U2 had any need for a violin on their next album. In the studio for only half a day, Wickham's electric violin became the final instrumental contribution to the song.
Punk