Tokyo International Baritone Saxophone Festival 2019

Tokyo International baritone sax Festival 2019
Grand Finale Special Concert

2019 February 15 (Friday)

Venue: Kichijoji Star Pines Café
Cast: Sometimes Auto / The thrill
Time: Doors open = 18:30 / raising of the curtain = 19:30
Rates : advance = 3,900 yen / day = 4,400 yen (1 another drink)

The Thrill of It All is the second studio album by English singer and songwriter Sam Smith. It was released on 3 November 2017 through Capitol Records.
On 6 October 2017, Smith announced via Twitter that his second album, titled "The Thrill of It All", was to be released on 3 November 2017. It is Smith's second full album of material after his hugely successful debut album In the Lonely Hour (2014), which has sold 12 million copies worldwide.

Speaking to Billboard about the album, Smith said:

Takeshi Shibuya (Takeshi Takeshi, November 3, 1939 -) is a Japanese jazz pianist, composer, arranger. Born in Tokyo. Tokyo National University of Fine Arts and Music department composition department dropped out. My wife is also a pianist Shimizu Kurumi.
Born in Tokyo in 1939. When I was a 2 year high school student, I was interested in jazz listening to Errol · Garner. He is a jazz pianist of the same age, Mr. Pooh Kikuchi is having a high school three years together. Being a student at Tokyo National University of Fine Arts and Music, he works as a pianist at George Kawaguchi, Big 4, Sawada Shingo group and others. Since the early 1960s he has worked as a composer and arranger for numerous works such as popular songs, movies and commercials.

In 1975 he formed his own led trio and announced two albums including the first leader work "Dream". In 1986 he formed "Shibuya Takeshi Orchestra" which was released from the traditional typical big band style, and has released six works so far. It is the center of activities as of 2017 as well. Participated in Shibusawa Iwasu since the 1990s. He formed "RAdIO" with three people, Naohiro Kawashita, Fuwa Daisuke, Yasuhiro Yagaki, and left an album of the same name. In 1999 he formed the group "Essential Ellington" with a repertoire of works by Duke Ellington and presented three works so far. Since 2007 Duo works with Takeyoshi Shibuya members and orchestras. Even now, beyond the age of 70, we are performing live activities at more than 15 pace a month.

Participating in recordings of vocalist's gigs and jams such as Maki Asakawa, Mari Kaneko, Mitsuru Kimura, Shun Sakai, Mike Ogawa, Kenji Ozawa and others. As a composer since the 1980s, he also offers works for children's programs such as NHK's "Otto Toiso".

Tokyo middle low range:
Mizutani first saw the baritone saxophone for the first time in 1992 when she performed as a guest at the theater company "sometimes automatic". Three years later, this Tokyo mid-low range begins with the impulsive purchase of a baritone saxophone that does not blow at occasional stalls. Before long, with that “no blow” condition, I began to hold the instrument at my own concert. At that time, bassist Toshi Watanabe who supported me at that time was willing to accept this attempt, and a performance form like "Beauty and the Beast" or "Mr. Nakao" was born here. Did. Although there was no name, it would be undisputed to say that this was the original form of "Tokyo Chuo Lows". As the days went by, saxophone player Hiroyasu Yaguchi replaced me with Watanabe support for me. As the stage progressed, the songs “Bariton Sachs and Baritone Sachs” became more and more songs, and they began to gradually immerse themselves in the unique world without putting out each other's mouth. I remember it was about the end of the summer of 1998. On the way to go to the sea of ​​Mr. Yaguchi and Izu Akazawa, he said, "This time, I will call ○ ○ ○ of Su ○ Para and do not try it in Bariton Baka? "Good, let's call ○ ○ ○ ィ グ ラ フ ィ グ ラ フ ィ of グ ラ フ ィ グ ラ フ ィ カ で, and let's do it with a quartet," I also got a talk. After all, the two people refused to participate, and two more years of days passed while floating in the air.

　On January 15, 2000, on the night when I went to Kichijoji Mandala to see “A Shibata zu”, rapid development began. Since I went to see a theater company called "Future Dance" ten years ago, I wanted to hear the performance of "Shizusa" in charge of the music once. And that day, Noppo who was playing Baritone Sachs there was Ryuichi Yoshida. When I was told him the "Balysak Group Plan" through people, he appeared at my concert at the end of the month, and it was decided to "do it" as soon as I had a greeting after the final performance. . A few weeks later, Mizutani, Yaguchi, and Yoshida gathered with their instruments in the studio, and "Tokyo Chuo Lows" gave birth. after that

It is as if I got a whistle ... Dating course ・ Pentagon ・ Royal Garden's Yoshihiro Koseki, Kenichi Matsumoto who participates in Avan Sachs and supports original love etc. Kunikazu Tanaka who develops band activity with members of Skapara The final members of the Mystery Chamber of Commerce, Kito Tetsu, Metrofalss and Yoshida Kawaguchi who are active in the chestnut coder quartet, Otajima Minoru who performs numerous studio sessions, Koichiro Kami with a different career, and Suzuki Koshi, an active Tokyo university student Attended, bloated to 11 people, of course, the elevator has become a large area that can not all fit into the stage at once.

　By the way, where did the name "Tokyo mid low range" come from? At the stage of proclaiming its launch on January 29, 2000, it was the "Tokyo Mid-Low Band Association". Before that, I think it was "Tokyo Mid-bass Association". Rough naming was left to me, but when thinking about the design of a flyer or logo, it is actually the most direct that it is better to sit when the letter "C" comes in the center It was a decisive factor. As a postscript, we came to assert that "We are not a meeting but a zone" and "we have not gathered together, but our scattered time and space is ours". The way of thinking “area” is influenced by the concept of the work “Threshold” (Shiki) by the artist Yuno Ogino.

　And when I asked for confirmation from the native speaker "TOKYO MID / LOW FREQUENCY BAND LIMITS" in English, it was "It doesn't need Limits", but my "I'm not a band, it's an area" is strong By the claim, in the English-speaking world, I risked being mistaken as a limited company and made it "BAND LIMITS". This "BAND" is used in the sense of "obi" and it is not a "corporation" of the band. I use it with the intention of "band" in "BANDLIMITS". The reason for rejecting "corporation" so much is just because I hated band activities. It is a trivial thing (?), But I feel different just by doing so.

EMPTY KRAFT

In 2011, in the wake of encountering in a street session,
all dancers and musicians start activities with a very rare organization in the country, Frontman.

It has built its own style of crossover from music to dance of various genres such as FUNK, JAZZ, ROCK, HIPHOP, HOUSE and so on.
It has a wide range of activities, including live houses, art appreciation parties and guest guests at companies.
In addition, as support dancers of major artists, each as a musician has also
expanded the place of activity across a wide range of tours and TV, recording, choreography, directing.

Sometimes automatic
Activities started in the early 1980s. He has been presenting experimental works with the concept of "playing with music".
Future plans: October 26 "Rihariha 6"-Step performance approaching the "Concert Rehearsal" scheduled to be performed in February 2019 6 ~ @ Kichijoji STAR PINE'S CAFE 2027 February 27-March 3 Sun (scheduled) "Concert Rehearsal" @ KAAT

Sometimes Automatic Website: http://www.tokidoki-jido.com
This "Sound Asobi" is likely to be something different from before. stay tuned!

NEVER CLICK ON ANY ADS IN THE STREAM. WAIT UNTIL THEY CLOSE THEMSELVES. AFTER A MOMENT YOU WILL BE PRESENTED WITH A WHITE PLAY BUTTON. CLICK THAT AND THE STREAM WILL BEGIN!!

WE RECOMMEND GETTING HERE AT LEAST 20 MINUTES BEFORE THE SHOW BEGINS TO GET YOURSELF SET UP. WE PLAY MUSIC VIDEOS BEFOREHAND SO THE STREAM IS ALREADY ON AT THAT POINT. ONCE YOU SEE THE VIDEOS, YOU DON'T HAVE TO DO ANYTHING ELSE, THE SHOW WILL START ON IT'S OWN.

CHAT ONLY: IF YOU ARE HAVING CONNECTION ISSUES OR ARE UNABLE TO SEE ANYONE IN CHAT DURING SHOWTIME PLEASE GO HERE AND ASK FOR HELP. THEY ARE VERY NICE BUT BE RESPECTFUL.

Kunitaka Sueoka (末岡 圀孝 , Sueoka Kunitaka, February 1, 1917 – November 1998) was a Japanese football player. He played for Japan national team.

Sueoka was born in Hiroshima Prefecture on February 1, 1917. He played for Waseda University. He won 1938 Emperor's Cup with Sei Fuwa, Sekiji Sasano, Shogo Kamo, Hidetoki Takahashi and so on. He also won the 2nd place at 1939 Emperor's Cup. He also played for Waseda WMW was consisted of his alma mater Waseda University players and graduates. At the club, he won the 2nd place at 1940 Emperor's Cup. This tournament was the last Emperor's Cup before the war because Emperor's Cup was suspended for World War II from 1941 to 1945.

Schedule & Ticket

Place information

• Star Pine's Cafe
  Star Pine's Cafe

  Address

  日本、〒180-0004 東京都武蔵野市吉祥寺本町１丁目２０−１６ トクタケパーキングビル  Map

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