Suzuki Yusuke (Masato Suzuki, April 8, 1981 -) is a Japanese musician. He is active in a wide range of music fields such as conductor, composer, pianist, chamberist, organist, director, producer. Currently he is living in the Netherlands. His father is a conductor and keyboard instrumentist Masaaki Suzuki.
He graduated from Azabu Junior High School. After completing the composition department of Tokyo University of the Arts, he completed the Graduate School of Oriental Music. In the Netherlands, he studied at Jos van der Coy at the Royal Academy of Music at the Hague Royal Academy of Music and completed his orchestra as chief. At the Amsterdam Conservatory, hestudied harpsichord with Bob van Aspelen.
Mari Moriya is one of today’s leading sopranos. She was born in Oyama, Japan, and studied at the Musashino Academy of Music in Tokyo (Master of Music) and at the Mannes College of Music in New York (Professional Studies Diploma). She was a Grand Finalist at the Metropolitan Opera National Council Auditions in 2006 and won awards in major international singing competitions such as Cardiff Singer of the World (Concert Prize – 2007) and Belvedere Singing Competition (Hans Gabor Sonderpreis – 2008).
In 2006 Mari Moriya made her debut at the Metropolitan Opera New York as Queen of the Night under the baton of James Levine. Since then she has performed this role numerous times with leading opera companies in Europe and the United States.
Highlights of the 2017-18 season for Mari Moriya includes her role debuts as Feldmarschallin von Werdenberg in Der Rosenkavalier and Cio-cio San in Madama Butterfly with Tokyo Nikikai Opera Theater.
In november 2018, she will return to Opera Vlaanderen as Miss Schlesen in Philip Glass’s Satyagraha following her debut there in 2016 as Queen Tye.
Saki Nakae is a Soprano singer from Hokkaido. After graduating from Hokkaido University of Education Iwamizawa School Art Course Music Course Graduated in vocal major, she continued studying at Tokyo National University of the Arts Master's Program Music Department. Currently, she enrolled in the postgraduate doctor course.
Saki Nakae was selected at the 78th Japan Music Competition Opera Division. She got the 3rd prize at Juilliard Music Concours Competition and won the Grand Prize at the 12th Nakada Yoshitaka Memorial Competition. Besides, she won the first place in the vocal division at the 25th Himes Music Competition and 3rd place in the 11th Tokyo Music Competition Vocal Music Section. She also won the Asahikawa New face Music Award 2008, the 2nd place in the 14th Japan Mozart Music Competition Vocal Music Section and many other awards.
The Japanese lyric baritone, Toru Kaku, completed his undergraduate studies in 2008 at the Tokyo University of the Arts. He went on to receive his Master of Music degree in 2008, focusing on the Lieder genre. Toru has a particular affection for German Lieder.
Toru Kaku been a member of the Nikikai Opera Master Class, and is now a member of the Bach Collegium Japan (Director: Masaaki Suzuki). Currently, he is working on expanding his opera repertoire. In 2009 Toru was awarded second place in the Yu-Ai-Lied Competition, and in 2012 he released his first CD.
Joanne Lunn is an English classical soprano in opera and concert. Joanne Lunn studied at Royal College of Music, where she graduated and received the Tagore Gold Medal.
Lunn performed in Monteverdi's L'incoronazione di Poppea, Gluck's operas Orfeo ed Euridice and Alceste, and in Verdi's Falstaff. In 2004 she appeared as Helena in Benjamin Britten's A Midsummer Night's Dream, conducted by John Eliot Gardiner and directed by David Pountney. She performed in Monteverdi's Orfeo, conducted by Philip Pickett, in Paris and for the Beijing International Music Festival.
Masaaki Suzuki (鈴木 雅明 , Suzuki Masaaki, born 29 April 1954) is an award-winning Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan.
He began playing organ professionally at church services at the age of 12. He earned degrees in composition and organ at the Tokyo National University of Fine Arts and Music, then earned Soloist Diplomas at the Sweelinck Conservatory in Amsterdam, where he studied harpsichord and organ with Ton Koopman and Piet Kee and improvisation with Klaas Bolt.
With this ensemble Masaaki Suzuki is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist at Yale University and director of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera Don Giovanni. Charles Rosen makes the point forcefully:
It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
Shige Okita (Argentine Shigeo, March 15, 1959 [1] -) is a conductor in Japan. His wife is a soprano singer, Shinobu Sato. He was born in Tokyo and grew up in Funabashi City, Chiba Prefecture. After graduating from Chiba Prefectural Chiba Senior High School , he attended undergraduate course at the Tokyo University of Music College under the direction of Miyashi Seiichi and Shiodawa Yasuhiko . After that, he proceeded to the Tokyo National University of the Arts. During his time at Tokyo National University of Fine Arts and Music, she won the 1985 Akasaka Prize. He debuted in 1986 with the opera " Hansel and Gretel " for the second term association. In 1987 he became a conductor of the New Japan Symphony Orchestra. At the regular concert of the New Japan Symphony Orchestra in 1988 he directed Mahler 's Symphony No. 5. In 1996 he became a conductor of the Kanagawa Philharmonic Orchestra. In 2000 he became a permanent conductor of the Kanagawa Philharmonic Orchestra. Currently he is also a permanent conductor of the Junior Orchestra Hamamatsu.
Giuseppe Sabbatini (born May 11, 1957, Rome, Italy) is a lyric tenor.
His opera repertoire includes Idomeneo, Mitridate, re di Ponto, Don Giovanni, Linda di Chamounix, La favorita, L'elisir d'amore, Anna Bolena, Maria Stuarda, Roberto Devereux, Lucrezia Borgia, Dom Sébastien, I puritani, Rigoletto, La Traviata, Falstaff, La Bohème, Eugene Onegin, Auber's Fra Diavolo, Werther, Manon, Thaïs, La Damnation de Faust, Benvenuto Cellini, Les Contes d'Hoffmann, Orphée aux Enfers, Les Pêcheurs de Perles and Gounod's Faust. He has sung in the leading opera houses of the world, such as La Scala (his usual base), the Vienna Staatsoper, the Royal Opera House, Covent Garden and others. Sabbatini made his acclaimed debut in the USA in February 2001, at the New York Metropolitan Opera, singing the leading tenor role in Massenet's Manon.
Films for TV were made with Giuseppe Sabbatini in the operas Robert Devereux (1997), La Traviata (2001), and La Damnation de Faust (1999). A recording is commercially available of a TV presentation of a 1993 Tokyo Boheme with Daniela Dessì as Mimi.
Giuseppe Sabbatini has won several national and international voice competitions, such as the Jussi Björling Prize in 1987, the Caruso Prize and the Lauri Volpi Prize in 1990, the 1991 Abbiati Prize for Vocal Interpretation, and the 1996 Tito Schipa Prize.
On April 25, 2003 Sabbatini received the title of Kammersänger by the Vienna Staatsoper.
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