Please Tell me Night～Vol.4～
A credit card is a payment card issued to users (cardholders) to enable the cardholder to pay a merchant for goods and services based on the cardholder's promise to the card issuer to pay them for the amounts plus the other agreed charges. The card issuer (usually a bank) creates a revolving account and grants a line of credit to the cardholder, from which the cardholder can borrow money for payment to a merchant or as a cash advance. In other words, credit cards combine payment services with extensions of credit. Complex fee structures in the credit card industry may limit customers' ability to comparison shop, helping to ensure that the industry is not price-competitive and helping to maximize industry profits. Due to concerns about this, many legislatures have regulated credit card fees.
A credit card is different from a charge card, which requires the balance to be repaid in full each month. In contrast, credit cards allow the consumers a continuing balance of debt, subject to interest being charged. A credit card also differs from a cash card, which can be used like currency by the owner of the card. A credit card differs from a charge card also in that a credit card typically involves a third-party entity that pays the seller and is reimbursed by the buyer, whereas a charge card simply defers payment by the buyer until a later date.
Vol. 4 is the fourth studio album by English rock band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal.In June 1972, Black Sabbath began work on their fourth album at the Record Plant studios in Los Angeles.
"It's the first album we've produced ourselves," observed Ozzy Osbourne. "Previously we had Rodger Bain as a producer – and, although he's very good, he didn't really feel what the band was doing. It was a matter of communication. This time, we did it with Patrick, our manager, and I think we're all very happy… It was great to work in an American studio."
The recording was plagued with problems, many due to substance abuse. In the studio, the band regularly had speaker boxes full of cocaine delivered.[2]
Struggling to record "Cornucopia" after "sitting in the middle of the room, just doing drugs",[3] Bill Ward feared that he was to be fired: "I hated the song, there were some patterns that were just horrible. I nailed it in the end, but the reaction I got was the cold shoulder from everybody. It was like 'Well, just go home, you're not being of any use right now.' I felt like I'd blown it, I was about to get fired."[4] According to the book How Black Was Our Sabbath, Ward "was always a drinker, but rarely appeared drunk. Retrospectively, that might have been a danger sign. Now, his self-control was clearly slipping." Iommi claims in his autobiography that Ward almost died after a prank-gone-wrong during recording. The Bel Air mansion the band was renting belonged to John du Pont and the band found several spray cans of gold DuPont paint in a room of the house; finding Ward naked and unconscious after drinking heavily, they proceeded to cover the drummer in gold paint from head to toe. According to Sharon Osbourne's memoirs, a Doberman at the mansion got into part of the band's cocaine supply, laced with the baby laxative mannitol, and became ill from the effects of the drug.
The Vol. 4 sessions could be viewed as the point when the seeds were planted for the demise of Sabbath's classic line-up. Bassist Geezer Butler told Guitar World in 2001: "The cocaine had set in. We went out to L.A. and got into a totally different lifestyle. Half the budget went on the coke and the other half went to seeing how long we could stay in the studio ... We rented a house in Bel Air and the debauchery up there was just unbelievable." In the same interview, Ward said: "Vol. 4 is a great album, but listening to it now, I can see it as a turning point for me, where the alcohol and drugs stopped being fun." To Guitar World in 1992, Iommi admitted, "LA was a real distraction for us, and that album ended up sounding a bit strange. The people who were involved with the record really didn't have a clue. They were all learning with us, and we didn’t know what we were doing either. The experimental stage we began with Master of Reality continued with Vol. 4, and we were trying to widen our sound and break out of the bag everyone had put us into." In the liner notes to 1998's Reunion, Iommi reflected, "By the time we got to Bel Air we were totally gone. It really was a case of wine, women and song, and we were doing more drugs than ever before." In his memoir Iron Man: My Journey Through Heaven & Hell with Black Sabbath, the guitarist says, "Like Tony Montana in the movie Scarface: we'd put a big pile (of cocaine) on the table, carve it all up and then we'd all have a bit, well, quite a lot."
In his autobiography I Am Ozzy, Osbourne speaks at length about the sessions: "In spite of all the arsing around, musically those few weeks in Bel Air were the strongest we'd ever been." But he admits, "Eventually we started to wonder where the fuck all the coke was coming from ... that coke was the whitest, purest, strongest stuff you could ever imagine. One sniff, and you were king of the universe." Osbourne also recounts the band's ongoing anxiety over the possibility of being busted, which worsened after they went to the cinema to see The French Connection (1971), about undercover New York City cops busting an international heroin-smuggling ring. "By the time the credits rolled," Osbourne recalled, "I was hyperventilating." In 2013, Butler admitted to Mojo magazine that heroin, too, had entered the picture: "We sniffed it, we never shot up ... I didn't realize how nuts things had gotten until I went home and the girl I was with didn't recognize me."
A payment is the trade of value from one party (such as a person or company) to another for goods, or services, or to fulfill a legal obligation.
Payment can take a variety of forms. Barter, the exchange of one good or service for another, is a form of payment. The most common means of payment involve use of money, cheque, or debit, credit or bank transfers. Payments may also take complicated forms, such as stock issues or the transfer of anything of value or benefit to the parties. In US law, the payer is the party making a payment while the payee is the party receiving the payment. In trade, payments are frequently preceded by an invoice or bill.
In general, the payee is at liberty to determine what method of payment he or she will accept; though normally laws require the payer to accept the country's legal tender up to a prescribed limit. Payment is most commonly effected in the local currency of the payee, unless if the parties agree otherwise. Payment in another currency involves an additional foreign exchange transaction. The payee may compromise on a debt, i.e., accept a part payment in full settlement of a debtor's obligation, or may offer a discount, for example, for payment in cash, or for prompt payment, etc. On the other hand, the payee may impose a surcharge, for example, as a late payment fee, or for use of a certain credit card, etc.
The acceptance of a payment by the payee extinguishes a debt or other obligation. A creditor cannot unreasonably refuse to accept a payment, but payment can be refused in some circumstances, for example, on a Sunday or outside banking hours. A payee is usually obligated to acknowledge payment by producing a receipt to the payer. A receipt may be an endorsement on an account as "paid in full". The giving of a guarantee or other security for a debt does not constitute a payment.
Money is any item or verifiable record that is generally accepted as payment for goods and services and repayment of debts, such as taxes, in a particular country or socio-economic context. The main functions of money are distinguished as: a medium of exchange, a unit of account, a store of value and sometimes, a standard of deferred payment. Any item or verifiable record that fulfils these functions can be considered as money.
Money is historically an emergent market phenomenon establishing a commodity money, but nearly all contemporary money systems are based on fiat money. Fiat money, like any check or note of debt, is without use value as a physical commodity. It derives its value by being declared by a government to be legal tender; that is, it must be accepted as a form of payment within the boundaries of the country, for "all debts, public and private". Counterfeit money can cause good money to lose its value.
The money supply of a country consists of currency (banknotes and coins) and, depending on the particular definition used, one or more types of bank money (the balances held in checking accounts, savings accounts, and other types of bank accounts). Bank money, which consists only of records (mostly computerized in modern banking), forms by far the largest part of broad money in developed countries.
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Gypsy band (Pyramids), a band formed by the aerial gentleman of the pioneer existence of the Egyptian music scene in Japan. Styling with musicians based on gypsy music and staging with belly dancers will keep people from looking at it and bring them a new form of entertainment to the ethnic music world.
I love you Orchestra（あいらぶゆーおーけすとら）は、日本の9人組の“ケミカル轟音プログレパンク”バンド。
KAGEROのベーシストである白水悠のサイドプロジェクトとして2014年初頭に結成された。結成時には、ツインドラム、ツインギター、ベースからなる5人編成のバンドであった。
吉祥寺を中心にライブ活動を繰り広げ、「朝活GIG〈朝コア〉」として平日の朝7時から開演のライブイベントを行い、話題となった。
2015年2月には100本限定カセットテープを発表する。同年4月に1stアルバム『Stop Your Bitching』をリリースする。
2017年7月5日 絶叫する60度とのコラボアルバム「剥」リリース。
ギター、ベース、ピアノ、ドラムの4人編成で「I love you Orchestra SS」名義のアコーステイックライブ開始
2018年3月15日 ilyons こと（I love you Orchestra Noise Style）名義 で「Lantana」をリリース
2018年6月6日 ilyoSS こと （I love you Orchestra Swing Style）名義 で「My Life As Blue」をリリース
World show