京都バレエ団公演
Ballet
The leader is a snare drummer Nao Ishikawa who has a synonymous name of the super artist "God's hand" that Japan boasts worldwide.
Dancer Wakata Takuya who is active in blast! Together with that Ishikawa,
Tranpetter Including Yumeomi Tranpeter, Domestic ... No, the world's strongest triple drums and
amazing TOP artists who "make the sounds jerk" The unit
of "It's a footsteps archipelago"!
Snare drum solo world championship winning three times
Nori Ishikawa , Harutora Ganto delivering the second consecutive victory, super artist super artist Takayuki Nakabe and
pushing not to be pushed Japan TOP 3 Starting with a triple drum of impressive trampling,
sometimes passionately , Sound world of the wind instruments section which sometimes elegantly accentuates the sound.
Full of highlights such as a dynamic dance scene combining all genres!
TOP artist's "resonance" winds every "fusion" and explodes the best entertainment !!
Archipelago is a word meaning "wave of power" "archipelago".
Kyōgen together with Nō is part of Nōgaku theatre. Kyōgen is sometimes compared to the Italian comic form of commedia dell'arte, which developed around the same period (14th century) and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies.
Kyōgen is thought to derive from a form of Chinese entertainment that was brought to Japan around the 8th century. This entertainment form became known as sarugaku and initially encompassed both serious drama and comedy. By the 14th century, these forms of sarugaku had become known as Noh and kyōgen, respectively.
Kyōgen provided a major influence on the later development of kabuki theater. After the earlier, more ribald forms of kabuki had been outlawed in the mid-17th century, the government permitted the establishment of the new yarō-kabuki (men's kabuki) only on the grounds that it refrain from the previous kabuki forms' lewdness and instead model itself after kyōgen.
Noh had been the official entertainment form of the Edo period, and was therefore subsidized by the government. Kyōgen, performed in conjunction with Noh, also received the patronage of the government and the upper class during this time. Following the Meiji Restoration, however, this support ceased. Without government support, Noh and kyōgen went into decline, as many Japanese citizens gravitated toward the more "modern" Western art forms. In 1879, however, then-former US President Ulysses S. Grant and his wife, while touring Japan, expressed an interest in the traditional art of Noh. They became the first Americans to witness Noh and kyōgen plays and are said to have enjoyed the performance. Their approval is believed to have sparked a revival of interest in these forms.
In modern Japan, kyōgen is performed both separately and as a part of Noh. When performed as part of a Noh performance, kyōgen can take three forms: a separate (comic) kyōgen play, performed between two Noh plays (inter-Noh), which is known as honkyōgen (本狂言, actual kyōgen), as a (non-comic) scene within a Noh play (intra-Noh, between two scenes), which is known as aikyōgen (間狂言, in-between kyōgen, kyōgen interval), or as betsukyōgen (別狂言, special kyōgen).
In aikyōgen, most often the main Noh actor (shite) leaves the stage and is replaced by a kyōgen actor (狂言方 kyōgen-kata), who then explains the play (for the benefit of the audience), though other forms are also possible – the aikyōgen happening at the start, or the kyōgen actor otherwise interacting with the Noh actors. As part of Noh, aikyōgen is not comic – the manner (movements, way of speech) and costume are serious and dramatic. However, the actor is dressed in a kyōgen outfit and uses kyōgen-style language and delivery (rather than Noh language and delivery) – meaning simpler, less archaic language, delivered closer to a speaking voice – and thus can generally be understood by the audience, hence the role in explaining the play. Thus, while the costume and delivery are kyōgen-style (kyōgen in form), the clothing will be more elegant and the delivery less playful than in separate, comic kyōgen. Before and after aikyōgen, the kyōgen actor waits (kneeling in seiza) at the kyogen seat (狂言座 kyōgen-za) at the end of the bridge (hashigakari), close to the stage.
The traditions of kyōgen are maintained primarily by family groups, especially the Izumi school and Ōkura school.
完璧な形で残されたマイケルのボーカル音源には一切加工を施さず、ティンバランドら、世界屈指のプロデューサー達によってコンテンポライズされた8曲の新曲で構成されており、デラックスバージョンにはその素材曲と Love Never Felt So Good のデュエットバージョンも収録されている。
2014年3月31日、本作を発表。表題曲「Xscape（escape） 」はアルバム『Invincible 』のアウトトラック。
ティンバランドとエピック・レコード社長L.A.リードがエグゼクティブ・プロデューサーを務め、ロドニー・ジャーキンス、スターゲイト、ジョン・マクレインがプロデューサーを務めた。
ジェシー・ジョンソンは、メアリー・J・ブライジ、クエストラブ、ディアンジェロの参加した曲で演奏したことを明らかにしている。
音楽批評家からは死後のリリースということもあってか生前程評価は高くなく、エボニー誌は「亡くなった歌手の遺産をさびつかせる材料みたいだ」と評価している。一方で好評な意見も多く、ミックスマグは「『Invincible 』の次作というより『オフ・ザ・ウォール』のB面みたいだね」と評価している。。
2007年より、出場資格の選抜が行われている。 推薦選手(前年ランキング1位)、シード選手(前回グランプリの準決勝進出組、約12組)と 北海道3組、東北6組、東部24組、中部6組、西部12組、九州6組、大学生24組(全日本学生競技ダンス連盟)が選抜される。
Application limit 4 times
Type of seats and fees: All seats: ¥ 3,500
Payment methods: you can choose in front of reception desk
Credit card: Payment will be made at that time of application completion. Convenience Store / ATM: Please pay before the deadline of show at that time of registration. This article also describes sequel works.
In the United States, R designation. Name of Performance OGRE GOD FESTIVAL TOUR
Location: graf
Begining: 2018/08/14 (Tuesday) 10:00
Notes: Drink Fee
※ Number of tickets: You can book up to 8 tickets by an application . Pale yellow flowers bloom from June to July.
Seven - Eleven: Please pick up at the cashier after August 14, 2018.
Succeeding the tradition of the puppet troupe Yoshida Denjiro-za:
From the early 17th to mid-20th century, there existed numerous puppet troupes in Awaji Island. Some were big and others small. They performed not only inside the island but travelled around larger areas of Japan to show their elaborate puppetry. The present-day Awaji Puppet Theatre Company performs having inherited all the properties of the Yoshida Denjirô-za, one of the biggest troupes in Awaji.
Yoshida Denjirô-za was listed in a 1741 document as one of the 38 troupes of Awaji. Based off historical documents which confirm its history, we understand that the troupe owned a performance license and travelled all throughout Japan. Other big troupes, Uemura Gennojô-za, Nakamura Kyûdayû-za, and Ichimura Rokunojô-za, also gave tour performances around Japan in the same way. Yoshida Denjirô-za recruited several members from another troupe, Kobayashi Rokudayû-za, during 1890s and 1910s and made a junior group. The senior and junior groups gave performances separately.
The troupes visited Tokushima, Sanuki (in Kagawa), Iyo (in Ehime), Kii (in Wakayama), Harima (in Hyogo), and coastal areas around the Sea of Japan as well as local villages inside Awaji. Among them, they seem to have established a strong connection with the Iyo region, as the troupe possessed a variety of masks of gods and animals created by a well-known mask maker of the region, Menmitsu Yoshimitsu.
Yoshida Denjirô-za excelled at performances of the piece Honchô nijushikô (Our Country’s Twenty four Paragons of Filial Piety). When they performed this piece in front of the feudal lord of Matsuyama, a daughter of the lord gave the troupe a gorgeous kimono cloth and colorful fusuma (a stage setting) with embroidered chrysanthemum patterns. This property is said to surpass any of the other troupes. The troupe made several donations to famous shrines Konpira-jinja and Sanjô Hachiman in Kagawa prefecture. In February 1916, the troupe was invited to the opening event of Uchiko-za Theatre in Ehime prefecture. They performed Imoseyama onna teikin (Proper Upbringing of a Young Lady at Mount Imose) for eleven days under a contract of 320 yen (roughly 200,000 yen in today’s market) for the performance fee.
In the 1930s, the troupe was so popular that famous figures such as writer Hayashi Fumiko (1903-1951) and actor Hanayagi Shôtarô (1894-1965) paid visits to the theater. However, the financial condition of the troupe gradually deteriorated, and it ceased activity at the end of World War II. The owner quit puppetry and opened an antique shop. After the war in 1957, the owner had been listed to become the promoter for a project to erect a monument designating the origin of the ningyô jôruri puppetry tradition in Awaji. However, as he did not have an appropriate successor, he instead donated all the properties, including historical documents, to the Association of Awaji ningyô jôruri. Thus, the Awaji Puppet Theatre Company was established and has taken over the tradition of Yoshida Denjirô-za.
The birth of the Awaji Puppet Theater:
Awaji puppet plays were once very popular in the Edo period (1603-1868). It was sponsored by the feudal lord of Tokushima as well as local influential people and was enjoyed in various areas inside and outside Awaji. However, after the Meiji Restoration (1868), it gradually lost the interest of the people because of the emergence of new forms of entertainment. It also failed to capture the interest of young successors in the profession due to how demanding training is. After World War II, the Awaji puppet play tradition was in danger of vanishing. In this crisis, a new puppetry troupe, the Awaji Puppet Theatre Company, was established in 1964 with the support of the local people who well understood the value of this unique tradition and wished to keep it.
The troupe’s activity is highly regarded not only in Japan but also in many foreign countries. It has been invited to perform in 20 countries and areas in USA, Russia, Europe, Asia, and Oceania. The troupe has also conducted educational programs in local children’s associations, elementary schools, junior and senior high schools, and young people’s associations in order to foster successors to the tradition.
History of over 500 years:
In the past, Awaji puppeteers travelled all over Japan and performed in temporary theatres in outdoor fields called nogake. After the Awaji Puppet Theatre Company was established, it initially gave performances at a public hall in the Ichi district, believed to be the birthplace of Awaji puppetry. In 1968, the troupe’s base was moved to the Fukura area, which is a port town and welcomes many tourists with various ocean activities. In 1985, it moved into a new complex facility built on a hill, Onaruto-kyo Memorial Hall. Finally, the current theatre, especially designed for puppetry, was completed in Fukura in 2012. And now, the audience can enjoy various human dramas, embodied by puppets, human narrative, and shamisen music every day.
Important Intangible Folk Cultural Property:
Supported by the people’s effort to protect local tradition, the Awaji puppet play tradition has survived a number of crises and hardships. The members of the Awaji Puppet Theatre Company diligently devote themselves to everyday training in order to pass down this art to the next generation with pride and hope.
It takes long time to master this art. For example, in order to achieve effortless mastery, seven years are required for manipulating the feet of a puppet, seven more years for the left hand, and a lifelong period for the head and the right hand. The members engage in this tradition, understanding both the difficulty and the joy of the art form. In this current society where mass consumption prevails, many traditional arts have been forgotten, but we eagerly try to absorb and embody the essence of this wonderful traditional art and wish to hand it down to the next generation.
Awaji Doll seat originated in Minami-Awaji-shi. At the end of the Muromachi period, it is said that the puppeteer of "Nishinomiya Shrine, Hundred Taio" is farmers stayed at Sanjo Village (now Minami-Awaji-shi ). In the Edo period more than 40 dolls visited the country nationwide. After the Meiji period, many locals disappeared, but in 1964 "Awaji Ningyo" was established to protect the local arts. Minamiawaji City continued large naruto stage in Memorial Hall.
On Awajishima there are various figurines from the beginning of the Edo era to the beginning of Showa era, and not only in Awaji Island but also all over the country, it is the charm of Ningyo. Awaji Ningyo inherits Yoshida Shojiro, one of the large places, and has stage performing. As well as the three-seat of Genji, His and Rokko, we toured the countries with gifts owner's license.The main cruises were Awaji, Tokushima, Sanuki, Iyo, Kii, Harima, San-in Road, Hokuriku-do and others, especially seemed to have many customers. It is said that there are curiosities in the head of the animal, such as fox, tiger, spider, etc, whether it is said to be an excellent item of surface light, starting with the side of lieutenant and black lieutenant.
Ningyo joruri Bunraku was declared UNESCO as "masterpiece on oral and human intangible heritage of human beings" in 2003 (Heisei 15), and "2008 representative list of representatives of human intangible cultural heritage" in 2008 It was stated in.
Location: Forest Hall, NGK Spark Plug Gallery
Begining: 2018/10/09 (Tuesday) 10:00
Notes: ※ kindergarten can not enter
Number of tickets: You can book up to 8 tickets by an application. Application limit 4 times
Type of seats and fees: All designated seats: ¥ 5,000
Payment methods: you can choose in front of reception desk
Credit card: Payment will be made at that time of completion application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus /ATMs pay per view times
Internet Banking: Please pay before the deadline of show at that time of registration.
Delivery 【courier service】: We will deliver within a week after the payment is completed.
FamilyMart: Please pick it up at the Fami Ferry Terminal of the shop after 10/10/10 (Tuesday) 2018.
Seven - Eleven: Please pick it up in the cashier after 10/10/10 (Tue) 2018.
LOL または lol は、laugh(ing) out loud（大きな笑い声）またはlots of laughs（多くの笑い声）の頭字語であり、（特に英語圏で）よく使われるインターネットスラングの一つである。日本語における「（笑）」に相当する。元々はネットニュースで使われていた物であるが、後に他の形式のコンピュータを介したコミュニケーション(CMC)や対面 のコミュニケーションでも用いられるようになった。
これは身体的な反応、特に笑い声を文章で表現するための数多くの頭字語の一つである。そのような頭字語には、LMAO（"laugh(ing) my ass off"の略）やROFL（または古い形のROTFL。"roll(ing) on the floor laughing"の略）のような、より笑い声を強調した表現もある。かつては、手紙において "lots of luck" や "lots of love" の略語として"lol"が使われたこともあるが、今日ではほとんど使われていない。
頭字語のリストは「月ごとに成長」し、それらは、ネットニュース、IRC、およびその他の形式の（文字ベースの）コンピュータを介したコミュニケーションのユーザの間で非公式に流される俗語辞書に、顔文字などと共に収集される。これらの頭字語には議論の余地があり、何人かの著者は、一般に、あるいはビジネスコミュニケーションのような特定の状況において、使用しないことを推奨している。
LOLは、2011年3月に『オックスフォード英語辞典』で初めて文書化された。
Laccetti（スティーブンス工科大学人文学部教授）とMolskiは、The Lost Art of Writing（書く技術の喪失）と題したエッセーで、この言葉を批判し、このようなスラングを使う学生の雇用機会の減少を予測して、「残念ながら、彼らの上司は、適切な句読点や文法に欠けている報告書を読んだり、数多くのスペルミスや、さまざまな構成の単語や、ばかげた頭字語を読んだときに、'lol'になることはない」と述べた。FondillerとNeroneは、スタイルマニュアルの中で、電子メールや出版物を書くかどうかにかかわらず、「プロフェッショナルやビジネスのコミュニケーションは、不注意や構成が不適切であっては決してならない」と主張し、顔文字や略語の使用に対して、「電子メールの俗語であり、ビジネスコミュニケーションにはふさわしくない」と警告している。
Tigh-Z is a dance & vocal group consisting of TAKUYA, RYOTA, SHOTA, RYO, Inoue Susumu, Amu, Watabe Takeshi.In 2019, the group will appear in the Kobe Collection and aim for solo performances at the Osaka Castle Hall on August 19 Zepp Nagoya, and on December 29 Zepp Namba is the one-man live, and the group currently attracting the most attention.
When it made a delivery debut in "DREAM UP", it won the fourth place in the Rekochok Daily Ranking, and it won the 1st place in the Rekochok Daily Ranking in the 2nd Digital Single "Dear My Love". Shortly after that, as a rental limited single, "Dear My Love" was developed widely at TSUTAYA throughout the country, and when its name went through at a glance, the live venue limited both A-side singles "Crazy Love / Cry For You" was released in July.
The one man live is held in Kyoto KBS hall without knowing where the momentum stays. The miracle of being the first one man and mobilizing 1,000 people became a target of attention. The 1st FULL ALBUM “COLLECTION” to be released at the beginning of 2015 is sold nationwide and records an exceptional sales of 1000 pieces in a month.
And they mobilize a total of 1,200 people in four places one man live & COLLECTION tour of Tomei Han. They earned 26th place on Oricon Chart and was selected for the ending theme of TBS "Arita Generation" and received attention!
M!LK（ミルク）は、スターダストプロモーション所属のボーカルダンスユニット。EBiDAN 39に所属するメンバーから、2014年に結成された。
ファンは「み！るきーず」と呼ばれる。
EBiDANのユニットであったClash,の解散後、EBiDAN 39のレギュラー番組『EBiDANアミーゴ!』の企画から発足した。実質的にClash,の後身であり、EBiDAN39&KiDSのライブ『星男祭2014』では、Clash,の楽曲であった青空センターフォワードとmiruku!を披露した。
グループ名は「何色にも染まることができる」という意味が込められており、「いろいろなものに混ざりやすく、様々な形状に変化することのできる“変幻自在”のユニット」をコンセプトに掲げている。
同じEBiDANのグループには、超特急、DISH//、PrizmaX、EBiSSH、さとり少年団、EDAMAME BEANSなどがいる。
Cellchrome（セルクローム）は、日本のロックバンド。所属レコード会社はBeing。所属事務所はビーイング。2017年メジャーデビュー。
2015年結成。4人それぞれが持つ多種多様な音楽性、ルーツとしているロックを基盤に洗練されたサウンドでステージパフォーマンスを展開。結成1周年となった2016年12 月には、早くも名古屋 ell.FITS ALLでワンマンライヴを行なうなど、近年活気を見せる東海エリア／名古屋シーンの次世代バンドとして注目を集めている彼らが、8月23日に「Stand Up Now」でメジャーデビュー。
祭nine.（まつりナイン）は、日本の男性7人組のエンターテイメント集団、歌手グループ、アイドルグループ。名古屋を拠点として活動する男性グループBOYS AND MENの弟分・BOYS AND MEN研究生の選抜メンバーによって結成されたグループであり、同様にBOYS AND MENの弟分という位置付けである。2017年3月に結成され、同年8月にCDデビューした。所属事務所はフォーチュンエンターテイメント。レーベルはテイチクエンタテインメントのレーベル・インペリアルレコード。
寺坂頼我・野々田奏・清水天規・浦上拓也・横山統威・神田陸人・髙崎寿希也の、BOYS AND MEN研究生の選抜メンバー7人により結成されたグループで、BOYS AND MEN研究生のリーダーであった寺坂がリーダーを務める。名古屋を拠点とするグループであること、「エンターテイメント集団」を自称することは、BOYS AND MENおよびBOYS AND MEN研究生と同じである。グループ名の由来は、メンバーによって、「グループを漢字一文字で表すと『祭』。『9』は所属事務所のラッキーナンバーであることと、野球の『ベストナイン』という言葉にあやかっている。その2つをくっつけて『祭nine.』になった。」と説明されている。
BOYS AND MENの活動スタイルである学ラン姿を引き継ぎながら、「祭」をテーマにした陣羽織の衣装を身に着けて活動する。BOYS AND MEN研究生時代に設定されたメンバーカラーを引き続き用いているが、浦上・横山・髙崎の3名は研究生時代とカラーが変わっている。BOYS AND MEN研究生に設定されていた「テーマフラワー」は、祭nine.では用いられない。
2017年8月16日にシングル「嗚呼、夢神輿」でインペリアルレコードからメジャー・デビューした。祭nine.の公式サイトでは、これ以前にBOYS AND MEN研究生がリリースした6作のインディーズ・シングルを祭nine.のディスコグラフィに加えている。BOYS AND MEN研究生と同じく、BOYS AND MENの楽曲制作を担ってきたYUMIKOが音楽プロデュースを受け持っている。
東宝ミュージカル『レ・ミゼラブル』で少年ガブローシュ役を演じていた従兄弟（橋本梓）の影響で、小学校3年生の時に劇団若草に入団した。
入団後すぐに子役の登竜門とされた『レ・ミゼラブル』や『サウンド・オブ・ミュージック』などのオーディションに合格。NHK大河ドラマには子役として2タイトルに出演するなど“名子役”の1人として名を連ねた。
中学3年生の1年間は高校受験の為に芸能活動を休止。学習院高等科に入学する。
学習院大学文学部哲学科に進学するも、中退。本人曰く「卒論より『ベガーズ・オペラ』を選びました」
ミュージカル『ベガーズ・オペラ』での演出家 ジョン・ケアードが『レ・ミゼラブル』のアンジョルラス役に抜擢。これを初めとして『ミス・サイゴン』のクリス役、『レ・ミゼ』のマリウス役などの大役が続くこととなる。
Corporate name: Future music planning general corporation
Establishment date: April 27, 2015
Location: Toranomon 3-10-5-6F, Minato-ku, Tokyo 105-0001
Office: MI Building 901, Nerima 1-5-4 Nerima, Nerima-ku Tokyo 176-0001 Tokyo
Representative Director: Oda Tanahiro,
Managing directors: Yasuyuki Ooi (Representative Director, Alive), Tadashi Takamatsu
Director:
Hiroyuki Okichi (Representative Director of Building Tech Co., Ltd.)
Yasunori Satake (Chairman, Japan Opera Promotion Organization, Public Interest Foundation)
Hiroyuki Mizukami (lawyer / Mizukami Toyama law firm)
Auditor:
Shinosuke Abe (Full-Time Corporate Auditor of La Atre Inc.)
屋敷華・・・桐朋学園大学音楽学部ピアノ科卒業。3歳、自作曲をパルテノン多摩大ホールにて発表。音楽誌「ショパン」に掲載。5歳、自作曲「虹のブランコ」をTV朝日系列で放映。第23回ペトロフピアノコンクール審査員特別賞。及川音楽事務所新人オーディション最優秀新人賞。他受賞歴多数。学費免除でウィーン国立音楽大学ディプロマ取得。秦はるひ、高木早苗、楊麗貞の各氏に師事。現在、ソロリサイタルやデュオ、豪華クルーズ船VIPルームや米村でんじろう氏率いるサイエンスショー等での演奏など、多種多様なスタイルで期待に応える。また、「関ジャム完全燃SHOW」「関ジャニ∞のTheモーツァルト ピアノ王決定戦」等の編曲・音楽監修をし布袋寅泰氏らと番組を作る。趣味は世界一人旅、読書。
安島萌・・・国立音楽大学声楽科卒業。音楽座ミュージカルに入団し2014年に退団。主な出演歴は、音楽座ミュージカル【シャボン玉飛んだ宇宙まで飛んだ】、舞台【希望の星】、舞台【河童村ブルース】、ミュージカル【マリオネット】、短編映画【いもガール】主演、CM【SIXPAD トライアル2編】等。現在は、舞台、ミュージカル、メディアを中心に幅広く活躍している。趣味は舞台鑑賞、パスタ料理。
屋敷信香・・・武蔵野音楽大学器楽学科卒業。レコーディングディレクターの傍らスタジオミュージシャンとして主に80‘90年代のカラオケ音源制作に携わる。AMDEK(ローランドの子会社で現在のローランドDGの前身)からCMU-800を使用した日本初のPCミュージックを制作し発売。ファッションミュージックディレクターとしてNHKテレビ出演。 田中貫一、川崎優、青木明、齋藤賀雄の各氏に師事。現在、精力的に後進の指導にあたる他、出張演奏、演奏会の企画、運営をする。趣味は料理、作詩。
Name of Performance: Kabuki-za Yoshinori Akiyo Minutes thirty-one Main Kabuki Kabuki-za
Location: Kabuki-za Theater
Begining: 2018/10/12 (Friday) 10:00
Notes: ※ Please Note : performance effects and seats will be released on the change
※ lounge chair in the first floor (¥ 20,000),
※ B chair in the third floor (¥ 4,000) without handle
※ Children's Services (must be booked in advance)
Limited number of tickets: You can book up to 8 tickets by an application. Application limit 4 times.
Type of seats and fees: top-tier seats: ¥ 18,000
Secondary seating: ¥ 14,000
Third Seats: ¥ 6,000
Payment methods: you can choose in front of reception desk
Credit Cards: Payment will be made at that time of completing application.
Convenience Store / ATM: Please pay before the deadline of show at that time of registration.
Circle K · Sunkus/ ATMs pay per view times
Internet Banking: Please pay before the deadline of show at time of registration.
Delivery 【courier service】: We will deliver within a week after the payment is completed.
FamilyMart: Please pick it up at the Fami port terminal of the shop after 10/12/201 (Friday).
Seven - Eleven: Please receive it at the cashier after 10/12/201 (Friday).
尾上 松綠（おのえ しょうろく、新字体：松緑）は、歌舞伎役者の名跡。屋号は音羽屋。 定紋は四ツ輪に抱き柏、替紋は藤輪に花菱。
「松緑」は初代尾上松助の俳名に由来する。後に松助はこれを名跡とし、晩年の6年間「尾上松緑」を名乗った。
中村 吉右衛門（なかむら きちえもん）は、歌舞伎役者の名跡。江戸時代中期に佐野川屋系が二人、明治以降に播磨屋系二人がいる。今日ただ「中村吉右衛門」というと、通常は播磨屋系の吉右衛門を指す。
屋号は佐野川屋。宝暦期を代表する名女形・初代佐野川萬菊の弟を祖とする家系。
Kabuki (歌舞伎) is a traditional Japanese form of theater with roots tracing back to the Edo Period. It is recognized as one of Japan's three major classical theaters along with noh and bunraku, and has been named as a UNESCO Intangible Cultural Heritage.
What is it?
Kabuki is an art form rich in showmanship. It involves elaborately designed costumes, eye-catching make-up, outlandish wigs, and arguably most importantly, the exaggerated actions performed by the actors. The highly-stylized movements serve to convey meaning to the audience; this is especially important since an old-fashioned form of Japanese is typically used, which is difficult even for Japanese people to fully understand.
Dynamic stage sets such as revolving platforms and trapdoors allow for the prompt changing of a scene or the appearance/disappearance of actors. Another specialty of the kabuki stage is a footbridge (hanamichi) that leads through the audience, allowing for a dramatic entrance or exit. Ambiance is aided with live music performed using traditional instruments. These elements combine to produce a visually stunning and captivating performance.
Plots are usually based on historical events, warm hearted dramas, moral conflicts, love stories, tales of tragedy of conspiracy, or other well-known stories. A unique feature of a kabuki performance is that what is on show is often only part of an entire story (usually the best part). Therefore, to enhance the enjoyment derived, it would be good to read a little about the story before attending the show. At some theaters, it is possible to rent headsets which provide English narrations and explanations.
Every year it brings out excellent students at the national dance contest and it will be accepted as an excellent school. It received the 1994 Tachibana Akiko Memorial Excellence Leader Award and received the 1998 Excellent Leader Award. Currently, unusually in rural areas "Tokyo Bird Ballet Company" has been drawing attention as more outstanding students come out in Tokyo (Central). In choreography, student guidance method, production of performances etc, achievements have also been drawing attention as choreographer Etsuko Mashima.
She is president of the dance company NR 6 , which builds works from original aesthetic sense and time feeling , and is working in collaboration with companies, foundations and embassies. Perform performances and workshops at Korea-Japan Dance Contact ( Korea ) , Jogja International Performing Arts Festival (Indonesia), " a sul " International Contemporary Dance Festival ( Portugal ) , DRA Festival ( USA ) Permanent Exhibition of National Museum of Emerging Science and Innovation "Anagura's Song", BUMP OF CHICKEN "Zero" PV Choreography.
As a dancer, La Danse Compagnie Kaleidoscope , Dance Venus , performances of Japan Finland dance co-production project etc. have appeared widely.