Baiba Skride’s natural approach to her music-making has endeared her to some of today’s most important conductors and orchestras worldwide. She is consistently invited for her refreshing interpretations, her sensitivity and delight in the music.
The list of prestigious orchestras with whom she has worked include the Berliner Philharmoniker, Gewandhausorchester Leipzig, Boston and Chicago Symphony Orchestras, New York Philharmonic, Royal Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks, Orchestre de Paris, London Symphony Orchestra, London Philharmonic Orchestra, Shanghai Symphony Orchestra and Hong Kong Philharmonic Orchestra.
Notable conductors she collaborates with include Marin Alsop, Christoph Eschenbach, Ed Gardner, Susanna Mälkki, Andris Nelsons, Andres Orozco-Estrada, Santtu-Matias Rouvali, Vasily Petrenko, Yannick Nézet-Séguin, Tugan Sokhiev, John Storgårds and Simone Young.
Summer 2018 sees Baiba Skride return to the NHK Symphony Orchestra with Jukka-Pekka Saraste, and to the Tanglewood Music Festival with chamber music and concert appearances, performing Bernstein Serenade with the Boston Symphony Orchestra and Andris Nelsons, before they begin the 2018/19 season together on a distinguished tour to the BBC Proms, Elbphilharmonie Hamburg, Vienna’s Musikverein, KKL Lucerne, Philharmonie de Paris, and Concertgebouw Amsterdam. Further highlights include her return to Münchner Philharmoniker, Mozarteumorchester Salzburg, City of Birmingham Symphony Orchestra, Oslo Philharmonic, Helsinki Philharmonic Orchestra, Gothenburg Symphony Orchestra, Bilbao Orkestra Sinfonikoa, Polish National Radio Symphony Orchestra, as well as Baltimore, Houston, Toronto, Vancouver and Utah Symphony Orchestras. In Spring 2019 Skride highly anticipates the world premiere of Sebastian Currier’s violin concerto, a co-commission by the Boston Symphony Orchestra and Gewandhausorchester Leipzig, with which she tours to Spain, Japan and China. Skride continues to champion Sofia Gubaidulina’s Offertorium as well as Triple concerto for violin, cello and bayan and celebrates the piece’s Spanish premiere with the Orquesta Sinfónica de Galicia, following on from the successful premieres in the last seasons.
Baiba Skride is a sought-after chamber musician internationally. In 2018/19, invitations take her Skride Quartet with Lauma Skride, Harriet Krijgh and Lise Berthaud to Schubertiade Hohenems, Wigmore Hall London, Louvre Paris, Muziekgebouw Eindhoven, amongst others. Further afield, the Quartet looks forward to its debut at the Tanglewood Music Festival in summer 2018 and US tour in March 2019. In the same season, she also performs in trio with Daniel Müller-Schott and Xaiver de Maistre in Innsbruck, Budapest, St Pölten, Hannover, Coesfeld and Düsseldorf.
To add to her prolific discography, Baiba Skride anticipates the releases this season of her American disc featuring Bernstein, Korngold and Rózsa with the Gothenburg Symphony and Tampere Philharmonic Orchestra under the baton of Santtu-Matias Rouvali and her Bartok recording with the WDR Sinfonieorchester with Eivind Aadland, and the debut recording of the Skride Quartet, all under the Orfeo label.
Skride was born into a musical Latvian family in Riga where she began her studies, transferring in 1995 to the Conservatory of Music and Theatre in Rostock. In 2001 she won the 1st prize of the Queen Elisabeth Competition. Baiba Skride plays the Yfrah Neaman Stradivarius kindly loaned to her by the Neaman family through the Beare’s International Violin Society.
Born in Gifu prefecture in 1997. In 2016, at the age of 18, she won first place in the Montreal International Music Competition, and also received five special awards (Bach Prize, Paganini Award, Canadian Work Award, Sonata Prize, Semi Final Best Recital Award). Started violin at Suzuki method from 3 years old, was selected as Suzuki Tenchildren at the age of 10 and performed solo at Tokyo, Nagoya, Matsumoto. In 2009 she won the first prize at the All Japan Student Music Competition Elementary School section, the Togi Prize, the Rabbit Bunches Award.
After playing with the Nagoya Philharmonic Orchestra at the age of 11, she performed with many domestic and international orchestras. In chamber music, after recitaling for the first time at the age of 12, recital was held at Souji Hall, Salamanca Hall and Kioi Hall. Tsutomu Tsuyoshi of cello, Rei Eguchi of piano, Megumi Ito and so on. In 2017 "Gifu Prefecture Art Culture Encouragement", 2018 "28th Idemitsu Music Award" received.
Currently she is studying as a special special scholarship at Tokyo College of Music.
Jonathan Nott (born 25 December 1962, Solihull, England) is an English conductor. He was a music student and choral scholar at the University of Cambridge, and also studied singing and flute in Manchester at the Royal Northern College of Music. Nott was also a conducting student in London. He left Britain to develop his conducting career in Germany via the traditional Kapellmeister system.
Nott made his conducting debut in 1988 at the Opera Festival in Battignano, Italy. In 1989, he was appointed Kapellmeister at the Frankfurt Opera. In 1991, he was appointed Erster Kapellmeister at the Hessisches Staatstheater Wiesbaden, and became interim chief conductor for the 1995–96 season. He later became music director at the Lucerne Theatre and served as principal conductor of the Lucerne Symphony Orchestra from 1997 to 2002.
Nott first guest-conducted the Tokyo Symphony Orchestra in October 2011. Immediately following this engagement, the orchestra offered him its music directorship.
Andris Nelsons is Music Director of the Boston Symphony Orchestra and is Gewandhauskapellmeister of the Gewandhausorchester Leipzig. With these positions, and in leading a pioneering alliance between two such esteemed institutions, Grammy Award-winning Nelsons is firmly underlined as one of the most renowned and innovative conductors on the international scene today.
Nelsons began his tenure as Music Director of the BSO in the 2014/15 season and after one year his contract was extended through the 2021/22 season. Last season, the BSO and Nelsons embarked on a tour to Japan together for the first time, notably with three performances in Suntory Hall. At the beginning of the 2018/19 seasons, Nelsons toured Europe together with the orchestra for the third time since Nelsons’ Music Directorship, visiting the London Proms, Hamburg, Berlin, Leipzig, Vienna, Lucerne, Paris and Amsterdam.
Nelsons gave his debut with the Gewandhausorchester in 2011, followed by regular performances at the Gewandhaus zu Leipzig in subsequent years. In February 2018, Nelsons received the title of Gewandhauskapellmeister in a four—week inaugural festival, also marking the 275th anniversary of the orchestra.
Three joint tours For the Gewandhausorchester Leipzig and Nelsons have been incorporated into the 2018/2019 season: two European tours, one in October 2018, including stops at London’s prestigious Royal Festival Hall, in Scandinavia and in Nelsons’ native city, Riga, and the other in January 2019, to venues including the new Hamburg Elbphilharmonie, Philharmonie de Paris and Vienna’s Musikverein. The season’s third tour in May/June 2019 takes the orchestra and Nelsons to Japan and China, where they will appear together For the first time.
Krystian Zimerman (born 5 December 1956, Zabrze) is a Polish pianist and conductor who has been described as one of the finest living pianists. In 1975, he won the IX International Chopin Piano Competition.
Zimerman was born in Zabrze, Poland, and studied at the Karol Szymanowski Academy of Music in Katowice under Andrzej Jasiński. His career was launched when he won the 1975 Warsaw International Chopin Piano Competition. He performed with the Berlin Philharmonic conducted by Herbert Blomstedt in 1976 and he made his debut in the United States with the New York Philharmonic in 1979. He has toured widely and made a number of recordings. Since 1996, he has taught piano at the Music Academy in Basel, Switzerland. In 1999, Zimerman created the Polish Festival Orchestra to commemorate the 150th anniversary of Frédéric Chopin's death.
Zimerman is best known for his interpretations of Romantic music, but has performed a wide variety of classical pieces as well. He has also been a supporter of contemporary music. For example, Witold Lutosławski wrote his piano concerto for Zimerman, who later recorded it twice. Among his best-known recordings are the piano concerti of Grieg and Schumann with Herbert von Karajan; the Brahms concerti with Leonard Bernstein, the piano concerti of Chopin, one recording conducted by Carlo Maria Giulini and a later one conducted by himself at the keyboard; the Third, Fourth and Fifth Piano Concertos of Beethoven under Bernstein (Zimerman himself led the Vienna Philharmonic from the keyboard in Beethoven's First and Second Concertos); the first and second piano concerti of Rachmaninoff; the piano concerti of Liszt with Seiji Ozawa, the piano concerti of Ravel with Pierre Boulez, and solo piano works by Chopin, Liszt, Debussy and Schubert. In 2006, Zimerman recorded Brahms' Piano Concerto No. 1 with the Berlin Philharmonic conducted by Sir Simon Rattle (DG 477 5413; Limited Edition DG 477 6021).
On 26 April 2009 Zimerman vowed to his audience at Los Angeles's Walt Disney Concert Hall that, in protest of America's placement of a missile defense shield in Poland, this would be his final appearance in the United States. He had made a similar comment in 2006, stating he would not return until George W. Bush was out of office. Part of his disenchantment with the USA may be that with the stepped up security at US airports, it has become increasingly difficult to bring his piano into the country. In incidents in 2001 and 2006, one of his Steinway pianos was completely destroyed and another one damaged by security staff at New York's JFK airport.
Alan Gilbert (born February 23, 1967) is an American conductor and violinist. He was most recently music director of the New York Philharmonic, and is the scheduled chief conductor-designate of the NDR Elbphilharmonie Orchestra.
From 1995 to 1997, Gilbert was an assistant conductor with the Cleveland Orchestra. In 1997, he won the Seaver/National Endowment for the Arts Conductors Award.
Santa Fe Opera
Gilbert's long association with Santa Fe Opera dates back to 1993, when he served as the orchestra's assistant concert master. Prior to that, both of Gilbert's parents played in the opera's orchestra, and his father served as concert master for a number of years. In 2001, Gilbert conducted his first Santa Fe Opera production, Verdi's Falstaff. In 2003, he became Santa Fe Opera's first music director. His initial contract concluded at the end of the 2006 season. In November 2006, it was reported that Gilbert was to be on "official sabbatical from June through August 2007" to spend more time with his family. In May 2007, Santa Fe Opera announced that Gilbert had officially concluded his tenure as their music director, as of 2006.
New York Philharmonic
Gilbert built much of his reputation conducting contemporary and American music, and his appointment by the Philharmonic marked somewhat of a shift by the orchestra away from his more conservative predecessors Lorin Maazel, Kurt Masur, and Zubin Mehta. He is the first New York City-born conductor to be named music director of the New York Philharmonic. For his inaugural 2009/10 Philharmonic season, Gilbert introduced a number of new initiatives, including the presence of Composer-in-Residence Magnus Lindberg and Artist-in-Residence Thomas Hampson. The festivals and tours he has introduced include CONTACT – the Philharmonic's new-music series; and a major tour of Asia and the Middle East in October 2009, with debuts in Hanoi and Abu Dhabi. In February 2015, the orchestra announced the scheduled conclusion of Gilbert's tenure as music director at the end of the 2016-2017 season.
Gilbert was principal conductor of the Royal Stockholm Philharmonic Orchestra from 2000 to 2008. He now has the title of conductor laureate with the Stockholm ensemble. From 2004 through 2015, he was principal guest conductor of the NDR Symphony Orchestra. He made his Metropolitan Opera conducting debut in November 2008 with John Adams' opera, Doctor Atomic.
Gilbert is the first person to hold the William Schuman chair in Musical Studies at the Juilliard School. The position includes coaching, conducting, and performance master classes. Gilbert assumed the post in the fall of 2009.
In June 2017, the NDR Elbphilharmonie Orchestra (formerly the NDR Symphony Orchestra) announced the appointment of Gilbert as its next chief conductor, effective with the 2019-2020 season, with an initial contract of 5 seasons. He is scheduled to take the title of chief conductor-designate in the autumn of 2017.
Gilbert conducted Beethoven's Ninth Symphony with the Gewandhaus Orchestra Leipzig for New Year's Eve on 31 December 20
Pavo Jarvi (Paavo Järvi, December 30, 1962 -) is a conductor from Estonia. Currently it is a United States nationality.
He has a conductor Neem Jarvi as his father and was named after Finnish conductor Pervor Berglund. Brother Christian is also a conductor, sister Maria is a flute player. Like his father, he learned from the music school of Tallinn 's fabric and went to the USA. After studying conducting at the Curtis Conservatory, he received the tenance of Leonard Bernstein at the Los Angeles Philharmonic Music School. In addition, he also studied with Ormandy, Dorati, Shorty, Marta, Batis and others.
In 2001 he became the 12th Chief Conductor of the Cincinnati Symphony Orchestra. Since the first visit to Japan in 1995, there are also many performances in Japan. In 2006, he performed a Japanese performance with German Kammer Philharmonic Bremen, and made a successful topic of Beethoven 's symphony orchestra performances.
He has guested in major orchestras around the world such as the Vienna Philharmonic Orchestra, the Berlin Philharmonic Orchestra, the Bavarian Radio Symphony Orchestra, the Royal Concertgebouw Orchestra, the New York Philharmonic and the Chicago Symphony Orchestra.
In 2006 he became the music director of the hr symphony orchestra, in 2010 the Paris Orchestra. Currently he is one of the busiest conductors in the world. In addition to recording all songs of Beethoven Symphony and the German Kamar Phil during 2006-2009, Bruckner's symphony recording project is in progress with the hr symphony orchestra.
In addition to Nordic composers such as Grieg, Sibelius, Steenhammar, Pavo Jarvi is good at Debussy. Regardless of which repertoire's performance / recording, he reveals the difference with his father Neem by making polite music creation and a gentle expression, delicate expressions rich in nuances, singing like a natural breathing, and so on. In contrast to fathers who tend to stand out brass instruments and tend to run "bombardment", they tend to emphasize the moody tone of stringed instruments and the mellow sound of woodwind instruments.
Sir Simon Denis Rattle (born 19 January 1955) is an English conductor.
He rose to international prominence during the 1980s and 1990s, while Music Director of the City of Birmingham Symphony Orchestra (1980–98). Rattle was principal conductor of the Berlin Philharmonic from 2002 to 2018.
It was announced in March 2015 that Rattle would become Music Director of the London Symphony Orchestra from September 2017.
As a passionate supporter of Music Education, Rattle is also the patron of Birmingham Schools' Symphony Orchestra, arranged during his tenure with CBSO in mid 1990s. The Youth Orchestra is now under the auspices of charitable business Services for Education.
Simon Rattle was born in Liverpool, the son of Pauline Lila Violet (Greening) and Denis Guttridge Rattle, a lieutenant in the RNVR during WWII. He was educated at Liverpool College. Although Rattle studied piano and violin, his early work with orchestras was as a percussionist for the Merseyside Youth Orchestra (now Liverpool Philharmonic Youth Orchestra). He entered the Royal Academy of Music (now part of the University of London), in 1971. There, his teachers included John Carewe. In 1974, his graduation year, Rattle won the John Player International Conducting Competition.
After organising and conducting a performance of Mahler's Second Symphony while he was still at the Academy, he was talent-spotted by the music agent Martin Campbell-White, of Harold Holt Ltd (now Askonas Holt Ltd), who has since managed Rattle's career. He spent the academic year 1980/81 at St Anne's College, Oxford studying English Language and Literature. He had been attracted to the college by the reputation of Dorothy Bednarowska, Fellow and Tutor in English. He was elected an Honorary Fellow of St Anne's in 1991. He was admitted to the degree of Doctor of Music honoris causa of the University of Oxford in 1999.
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