Gemma Bertagnolli is a singer. She was born in Bolzano, Italy. AsLiCo Competition wins Francisco Vinhas International Competition. Teatro di Milano La Scala, Teatro Venezia-Teatro di Paris, Teatro paris-Champs Elysées, Teatro dell'Opera di Roma, Opera in Florence-Music Festival in Zurich, Opera in Zurich, Conservatory in Rome-St. Cecilia, Concertgebouw in Amsterdam, Festival in Potsdam-Sanssouci Many perform in major opera houses, theaters and music festivals such as the music festival and the Wexford music festival. Opera's repertoire is: Woman of the Dream of Dreams, Risa, Betrayed Sincerity, Vespina, Kozi van Tutte, Despina, Marriage of Figaro, Susanna, King of Hermits, Eliza, Magician, Pamina, "The Knights of Rose" Sophie, "Masked Ball" Oscar, "Falstaff" Nannetta, etc.
The concert repertoire includes Bach, Handel, Pergolese, Verdi, Mozart, Beethoven ninth, Mahler symphony Nos. 4 and 8. R. Abad, B. Bartlerelli, S. Bischkov, G. Gavazzeni, F. Luigi, L. Maizel, Z. Meter, R. Muti, W. Savarisch, S. Young, etc., many co-stars with well-known conductor . He is particularly good at playing baroque music, Handel's oratorio "The Victory of Time and Enlightenment" (Piacere) by R. Alessandroini and M. Minkowski and Hasse "Solimano" (Emila) at the Berlin State Opera by R. Jacobs Also, I. Bolton in Monteverdi's 'The Pope's Coronation' (Durjilla) at the Bavarian State Opera, O. Dantone in Pergolese's 'Olympia de' (Alistair), G. in Handel 'Agrippina' (Nerrone). Performed with Antonini and F. Biondi. There are many recordings on Naive's Vivaldi Edition, Decca, Stradivarius, and more.
Kusatsu International Music Academy & Festival is a music festival held every summer in Kusatsu Onsen .
It will be held on a double basis of an academy for educational purposes and a festival as a concert. A street corner concert (performance: Meister brass quartet ) held somewhere in Kusatsu-cho every day is one of the specialties.
Outline of Kusatsu Academy
A two-week summer music academy started in 1980 with Kouji Toyoda , a famous violinist, as the music director and the chairman of the music critic Toyama . Every year the world artists are invited as instructors according to the theme of the year, for example, using the system of summer courses such as Nice, Siena in Europe, Academy in Salzburg, Aspen and Marbolo in the US, Kusatsu unique system I'm trying to learn music.
Among the musicians in the world, Kusatsu has already been recognized as the world's top academy due to the fact that musicians from around the world have gathered and Kusatsu Academy has been acclaimed by the musicians. Becoming invited was even said to be an honor.
From the 11th, Toyama was the music director, and it was considered that more comfortable lessons were given in chamber music.
From the 31st (2010), Toyama's Kazuyuki retired from the music director (continuing as music adviser), and the composer Akira Nishimura will be the music director.
Outline of Kusatsu Summer International Music Festival
The Tenguyama Rest House where the secretariat is placed
The Kusatsu Academy started as the first full-scale summer music academy in Japan, but it is a pity that it is not possible for such a performer to come and listen to the concert, and for the students as well how the teacher will perform on the stage A festival was planned in the translation of the best model. The festival and the academy are said to be like the wheels of a car, and it is said that they can not move forward even if either one is missing. The concerts up to 1990 have been performed at the ski resort restaurant remodeling concert hall called Tenguzan Rest House, but in 1991 the full-fledged 608 sheet full-scale concert hall was constructed in the "Kusatsu Music Forest" The In 2002, an Italian organ for chamber music was installed.
Claudio Brizi studied Organ and Organ Composition at the "Morlacchi" Conservatory in Perugia with Ottorino Baldassarri and Wjinand van de Pol and Harpsichord at the "Martini" Conservatory in Bologna with Annaberta Conti.
He held about 2000 concerts throughout Europe, Mexico, the United States and Japan as guests of prestigious
musical institutions :
Gewandhaus, Thomaskirche and Bach-Archiv in Leipzig; Schauspielhaus, Charlottenburg-Schloß, Französischer Dom in Berlin, Herkules Saal in Munich, Sans-Souci in Potsdam, Hofkirche in Vienna, San Maurizio in Milan, Théâtre de la Ville in Paris, Oratorio del Gonfalone in Rome, Casals Hall, Triphony Hall, Musashino Hall, Space Art Center in Tokyo, Symphony hall in Osaka ...;
As an organist he played and / or recorded on particularly significant instruments:
Valère-Sion (the oldest organ in the world), Dresden Hofkirche (the largest instrument built by G. Silbermann), Berlin Karlshorst (the Migendt organ of C. Ph. E. Bach), Brandenburg Cathedral (the most great organ Wagner), Azkoitia and San Sebastian (the Cavaillé-Coll organs still preserved in the original state), Mexico City (the monumental Spanish organs of the Cathedral), Yokohama Miratominai (the monumental Fisk organ) ...
As a soloist and soloist / conductor he has performed the most important compositions for organ or harpsichord and orchestra and is regularly invited by international orchestras and festivals:
September Music in Turin, Kusatsu Int. Festival, Umbrian Music Festival, Biennale de la Val de Marne, Baroque Signs, Wien Musikverein and Osterklang, Baroque Festival of Viterbo, Fugato Festival in Bad Homburg, Friends of Music in Palermo, Festival int. of Dresden, Ass. Fil. Laudamo, International Organ Festival City of Andorra, Camerata Musicale Barese, Friends of Music of Perugia ...
Particularly attracted by the chamber repertoire, it usually collaborates with internationally renowned musicians:
Edith Mathis, Ernst Haefliger, Françoise Poullet, Gemma Bertagnolli, Lynne Dawson [voice]; Wolfgang Schulz, Mario Ancillotti, Angelo Persichilli, Felix Renggli, Andras Adorjan, Giuseppe Nova [flute]; Thomas Indermühle, Jacques Tys, Hansjörg Schellemberger [oboe], Wolfgang Meyer, Peter Schmidl, Karl Leister, Giora Feidmann [clarinet]; Milan Turkovic, Koji Okazaki, Rino Vernizzi, Henk de Wit [bassoon], Hans Peter Schuh, Edward H. Tarr [trumpet]; Stephan Dohr, Lars Michael Stransky [horn]; Ian Bousfield [trombone]; Saschko Gawriloff, Markus Wolf, Werner Hink, Carlo Chiarappa, Cristiano Rossi, Pierre Amoyal, Paolo Franceschini [violin]; Serge Collot, Hans Peter Ochsenhofer [viola]; Tamas Varga, Wolfgang Boettcher, Christoph Henkel, Franz Bartholomey, Maja Bogdanovic [cello]; Klaus Stoll [Double Bass]; Siegfried and Renate Pank [viola da gamba]; Cathé̀rine Michel, Naoko Yoshino [harp]; Bruno Canino, Hiromi Okada [piano], Panocha Quartet ...;
He recorded about eighty CDs ranging from the late Renaissance to the avant-garde. From the "10" of the French magazine Repertoire to the "10" of CD Classics; from the "Awesome" of La Revue de L'Orgue (review signed by Guy Bovet) to the "5Stelle" of Amadeus to the "Best CD 2006" of the American Audiophile Magazine, the international specialized press has expressed the most flattering judgments on its work. His "Claviorgan Wonderland" was recently awarded the "Japan Audiophile Prize".
For many years he has been particularly concerned with the study of musical expressions of our time, collaborating with famous composers. He is active both as a composer and as an arranger, as a composer, and receives regular commissions from Festivals and Music Associations;
He deals with organ building and has to his credit the design of several tens of instruments in Italy, Germany and Japan. Since the year 2000 he has also a claviorgano of his conception (the largest in the world capable of being easily transported) with which he has made numerous recordings - accepted by the Critics with phrases like: "... C. Brizi has a capacity superhuman to manage polyphony ... "(Mostly Classic - 6.2003) - and numerous tounées for prestigious posters. He is deeply involved in research concerning the little known world of the "Non-Standard" keyboard instruments (eg the La Grassa organ in Trapani) and the hybrid instruments (Claviorgano, Harmonium-Célesta, Harmoniumklavier) of which he is a keen collector .
He holds a chair in Organ and Organ Composition at the Conservatory of Music of Cosenza and has held master classes and master classes at musical and university institutions in Germany (Karlsruhe University), Spain (Musica d'Estiu Xabia) and Japan (Kobe University).
Since 2000 he is Professor of Organ and Harpsichord at the prestigious Kusatsu Summer Music Academy (Japan)
In 2007 he was a member of the jury at the "Ciurlionis" International Triennial Competition in Vilnius (Lithuania).
The new "Perugia Chamber Orchestra" was born from the long experience of young Umbrian musicians in spreading musical culture, especially in relation to musical productions aimed at school youth.
The collaboration between instrumentalists activated within the "Musica per crescita" project of the Perugia Musica Classica Foundation has led to the desire to create a set of strings and wind instruments capable of extending the commitment to musical dissemination in concert venues and to put them at the service of of the Umbrian and Italian music production organizations a new formation that can count on consolidated professionalism from the collaboration with some of the best national orchestras (Accademia di Santa Cecilia, Orchestra of the Teatro alla Scala, Orchestra of Tuscany, Camerata Strumentale «city of Prato», etc .) and a high profile solo activity.
Among the musicians who give life to the Perugia Chamber Orchestra there are also some of the best talents of the latest generations, winners of national and international competitions and prestigious scholarships, such as those awarded by the Leandro Roscini Award, intended precisely to support young Umbrian musicians.
The training debut took place in September 2013 with the Project "Penderecki 80", presented at the Sagra Musicale Umbra, at the Ravello Festival and at the Emilia Romagna Festival, to celebrate the 80th birthday of the Polish composer Krzysztof Penderecki, who for the occasion he directed music he composed. The concert held in Assisi of this program was transmitted in full by Radio Vaticana.
From this moment the Orchestra's activity immediately became full of commitments, leading the team to collaborate with important masters and soloists (Jonathan Webb, Mark Milhofer, Daniela Dessì, Fabio Armiliato, etc.)
The Orchestra aims at a wide elasticity of organ of strings, woodwinds and percussion, such as to cover a repertoire ranging from the eighteenth century to contemporary music, with particular vocation for the twentieth century.
A constant quality control, linked to the selection of the instrumentalists and their group discipline, is the ambitious goal of this new Orchestra, which aims to be a reference point for all the young professionals of the Region and for the production and musical diffusion bodies.
There is no schedule or ticket right now.
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