Asako Urushihara (violin) & Barry Snyder (piano)
漆原朝子(うるしはら あさこ、1966年9月5日 - )は、千葉県出身のヴァイオリニスト、東京芸術大学教授。同じくヴァイオリニストの漆原啓子は実姉。
4歳でヴァイオリンを始め、鷲見三郎に師事した。1977年、相模原市立相模台小学校5年生の時、全日本学生音楽コンクール東京大会小学生の部で第3位を受賞した。この年の東京大会第1位は同じ5年生の渡辺玲子、全国大会第1位はやはり同じ5年生の竹澤恭子だった。1979年、習志野市立第一中学校1年生の時、同コンクール中学生の部で東京大会、全国大会ともに第1位を受賞。1982年、東京芸術大学音楽学部附属音楽高等学校に進学し、第51回日本音楽コンクールに出場して第2位を受賞した(第1位は竹澤恭子)。1983年、高校2年生の時、第2回日本国際音楽コンクールで最年少で第1位を獲得。
The violin, sometimes known as a fiddle, is a wooden string instrument in the violin family. Most violins have a hollow wooden body. It is the smallest and highest-pitched instrument in the family in regular use. Smaller violin-type instruments exist, including the violino piccolo and the kit violin, but these are virtually unused. The violin typically has four strings, usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings, though it can also be played by plucking the strings with the fingers (pizzicato) and by striking the strings with the wooden side of the bow (col legno).
Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments and in many varieties of folk music, including country music, bluegrass music and in jazz. Electric violins with solid bodies and piezoelectric pickups are used in some forms of rock music and jazz fusion, with the pickups plugged into instrument amplifiers and speakers to produce sound. Further, the violin has come to be played in many non-Western music cultures, including Indian music and Iranian music. The name fiddle is often used regardless of the type of music played on it.
The violin was first known in 16th-century Italy, with some further modifications occurring in the 18th and 19th centuries to give the instrument a more powerful sound and projection. In Europe, it served as the basis for the development of other stringed instruments used in Western classical music, such as the viola
Barry Snyder is an internationally acclaimed pianist and teacher, whose entry onto the international stage came after winning three major prizes at the 1966 Van Cliburn International Piano Competition: Silver Medal, Pan American Union Award and the Chamber Music Prize.
Since then, Snyder has toured the world performing concerti, presenting solo collaborative recitals, and leading master classes. Snyder has performed with conductors such as Robert Shaw, Leopold Stokowski, David Zinman, Sixten Ehrling and Arthur Fiedler. His has appeared with such orchestras as the Detroit Symphony, Houston Symphony, Baltimore Symphony, Atlanta Symphony, Singapore Symphony, Rochester Philharmonic, Krakow Radio Symphony , Brno Radio Symphony, Japan Philharmonic, Toronto Chamber Orchestra, and the Aspen Summer festival Orchestra. A well-known collaborator, Snyder has appeared with artists such as Hermann Prey, Jan DeGaetani, Zvi Zeitlin, Ani Kavafian, Sylvia Rosenberg, Bonita Boyd, Steven Doane, and the Chilingirian and Cleveland Quartets. Many of these collaborations can be heard in Snyder’s substantial discography of over forty recordings.
Held in high esteem by the professional community, Snyder is a widely sought-after teacher. Since 1970, Snyder was Professor of Piano at the Eastman School of Music in Rochester, New York, and he is listed in the publication The Most Wanted Piano Teachers and has given master classes in the United States, Europe and Asia. As of 2018, Snyder became Professor Emeritus at Eastman and accepted an Adjunct Professor position at NYU.
As a juror, Snyder has chaired the jury for the World International Piano Competition in Cincinnati and was a member of the jury for the Glasgow Young Artists Competition.
Snyder is committed to performing 20th and 21st century repertoire, and has given world premieres of works by such composers as Syndey Hodkinson, Toshio Hosakawa and Augusta Read Thomas. Many compositions, such as those by Carter Pann and Verne Reynolds, have been written specifically for him.
Barry Snyder studied solo piano with renowned teachers Wilbur Hollman, Vladimir Sokoloff, and Cecile Genhart and studied chamber music with John Celentano and Brooks Smith.
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