Hiroaki Otsuka is a well-known opera singer, born in Iwamizawa City, Hokkaido. He graduated from Tamagawa University Department of Arts Music and completed the second term association opera studios professional course.
He ranked the highest position in the 5th Japan Classical Music Competition and the third position in the 42nd Japan - Italy Concaso. He studied in Munich, Germany as a foreign trainee in the Agency for Cultural Affairs Dispatch Artists and was instructed by Mr. Wolfgang Brendel and Mr. Oscar Hirebrundt.
At the New National Theater, he appeared in "Salome", "Black Ship", "Pereas and Merisando", "Carmen", "Tosca", and also participated in many performances as a cover cast.
In Europe, he appeared in Mozart "Misa Brevis KV 192" by Philharmonic Dacapo and Mr. Bach "Christmas Oratorio" in Munich and gained high reputation.
Takeya Hidekazu is a well-known vocalist in Japan. He graduated from the Tokyo National University of the Army. In 1989, he won the gold medal of the Italian Concorso Milan division. the 3rd place in the 60th Japan Music Competition Vocal Music Division, ranked 2nd in the 3rd Japanese Vocal Competition. He studied in Milan in 1992.
From 1994 to 2001 Leipzig Opera House and exclusive contract with German National Theater of Weimar from 2002 to 2011. He is also a guest at the Bregenz lake music festival, the German. Deep and heavy singing voice in numerous performances are getting popular. He also received the 24th Giro Opera Prize, the 4th Rossiya Song Award.
Suzuki Associate graduated from Hokusei Gakuen University Faculty of Letters (Sapporo, Hokkaido). He graduated from Tokyo University of the Arts Voice and won Miyoshi Matsuda prize and acanthus music award at the time of graduation from Koi University. He also completed master's course of graduate school of the university. Currently, he enrolled in the postgraduate doctoral course of the same graduate school and works on Benjamin Britten 's vocal work.
He was selected at the 7th JSG International Song Competition. He's studied singing voices with Mr. Isauchi Isauchi, Uwe Heilmann, Mr. Tadaulla. He is a member of the Japan Vocal Academy. Since 49th and 50th Tokyo National University of Fine Arts and Music's "Messiah", he has appeared as a tenor soloist since the appearance of the gospel historian and other religious works. He also actively participated in vocal ensemble works of British pre-Baroque composers, German romantic composers, and has appeared many times in concerts.
From 1999 he participated in performances both in Japan and overseas as a member of Bach Collegium Japan, including the soloist at Suntory Hall in 2000, "Matthew Passion" in 2002, in Spain in 2002, in the memorial concert after returning to the USA in 2003 he got a favorable acclaim. In 2001, the opera has been mainly composed of Mozart's works such as "Don Giovanni" Don Ottervio, "Koji Fan Tutte" Ferrand, "Magic Flute" Tamino and "Idomeneo".
Akiyama Kazuke (Kazuyoshi Akiyama, January 2, 1941) is a well-known conductor in Japan, graduated from Toho Gakuen Music College. He is a conductor at Tokyo Symphony Orchestra, Vancouver Symphony Orchestra, Hiroshima Symphony Orchestra Honorary and president of the Japan Conductor Association (fifth generation). He is well versed in brass bandnes, and he is a special conductor and art advisor to musical band groups.
Kazuyoshi Akiyama was born into a musical family, he studied piano at the Toho Gakuen School of Music, but was fascinated by the conducting activities of a fellow student, Seiji Ozawa. He decided to study conducting with Hideo Saito. In 1974, Akiyama made his debut with the Tokyo Symphony, and within two months, he was named the orchestra’s Music Director and Permanent Conductor.
The debut performance was at the Tokyo Symphony Orchestra in 1964, next the Osaka Philharmonic Orchestra, then he became the deputy conductor of Toronto Symphony Orchestra of Canada. The conductor took over as Vancouver Symphony Orchestra music director and a music director of the American Symphony Orchestra and Syracuse Symphony Orchestra. He has performed as guest at numerous international concerns such as: American, Canadian and European, etc,.
Norinomi Iimori (A literary sticker, 1963 (May 19) -) is a conductor of Japan. In addition to German music, we are also good at contemporary music such as Akira Nishimura and Maurizio Cargel.
Born in Kamakura city, Kanagawa prefecture. After graduating from Kanagawa Prefecture Oppama High School, he graduated from the Toho Gakuen University Conducting Course (Bachelor of Music). After graduating from university, I studied in Berlin. Second prize in the Mino Minister Competition in 1985 (without first place). In 1987, at the Besancon International Conductor Competition, he will be one of two winners (Mentions ex.aequo). In 1988 Master Players International Music Competition Grand Prize was awarded. From 1989 he will practice at the Bavarian State Opera under Wolfgang · Svalesch.
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera Don Giovanni. Charles Rosen makes the point forcefully:
It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
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