Tomomi Nishimoto (西本智実) is a Japanese conductor.
Tomomi Nishimoto was born in Osaka, Japan on April 22, 1970. Her experience learning to play the piano from her mother at the age of three as well as her mother's musical influence is what fueled her interest to become a conductor in the future. After receiving her Bachelor of Music in Composition from Osaka College of Music in 1994, she was admitted to the Saint Petersburg State Conservatory.
Although she had the experience of conducting opera during her years in Osaka College of Music as a vice conductor, her formal conducting career started in 1998 with the Kyoto Symphony Orchestra. Since then she has conducted many famous Japanese orchestras and has received various awards, such as the Idemitsu Award (1999), St. Stanislav Medal (1999) and Sakuya Konohana Award (2000).
Her professional career in Russia started in 1999 when she conducted the Saint Petersburg Philharmonic. In 2002, she was appointed as the chief conductor of the Bolshoi Symphony Orchestra "Millennium". In addition, she has served as the principal guest conductor of the St. Petersburg Mussorgsky State Academic Opera and Ballet Theatre (2004–2006) and was also appointed as the Chief Conductor and Artistic Director for Russian Symphony Orchestra of the Tchaikovsky Foundation (2004–2007). In 2005, she conducted the first public performance of completion of Tchaikovsky’s unfinished Symphony "Life" that the Tchaikovsky Fund had commissioned.
Takuo Yuasa (July 27, 1949-) is a Japanese conductor.
Born in Osaka in 1949. Graduated from Music at the University of Cincinnati College of Music Composition Theory and Vienna State University of Music.
As a conductor, he made his debut in 1976 as conductor of the Vienna Tonekünstra Orchestra. After that, he will lead the Warsaw National Philharmonic Orchestra, the Polish National Radio Symphony Orchestra, etc. Became a conductor of the Gunma Symphony Orchestra in 1984. Principal guest conductor of the BBC Scottish Symphony Orchestra from 1989 to 1994, and principal guest conductor of the Alster Orchestra of the United Kingdom from 1997 to 2005.
In addition to the above symphony orchestras, London Philharmonic Orchestra, Royal Liverpool Philharmonic, BBC Welsh National Orchestra, Halle Orchestra, Bournemouth Symphony, Royal Scottish National Orchestra and other major orchestras of the United Kingdom I commanded. Also, Irish National Symphony Orchestra, Oslo Philharmonic Orchestra, Norwegian Radio Orchestra, Danish Radio Symphony Orchestra, Lahti Symphony Orchestra, Berlin Symphony Orchestra, Zagreb Philharmonic Orchestra, Luxembourg Philharmonic Orchestra, Sydney Symphony Orchestra, New Zealand Symphony Orchestra, Scottish Opera He has led the French National Orchestra, Brüssel Philharmonic, the Spanish Radio Symphony Orchestra, the Strasbourg Philharmonic Orchestra, and the Porto National Symphony Orchestra.
Masahiko Enkoji (Masahiko Enzo, September 16, 1954 -) is a conductor in Japan, born in Tokyo in 1954. At Toho Gakuen University, he studied conducting under Hideo Saito and piano under Aiko Iguchi.
In 1980, he studied abroad at National Music College in Vienna under Otmar Suitner.
Following his return to Japan in September of 1981,he received an appointment as assistant conductor with Tokyo Philharmonic Orchestra. From 1986 he began conducting exclusively for the Tokyo Philharmonic Orchestra, becoming their conductor in 1989.
In February of 1992, he guest conducted the Prague Symphony Orchestra at Smetana Hall, winning great critical acclaim. In April of 1995, as the result of an invitation from Dimitri Kitajenko, he appeared as guest conductor with Bergen Philharmonic Orchestra impressing many with deep artistic emotion.
Today, as a conductor of international caliber, he represents a great talent of whom the greatest hopes are being entertained.
Uri Segal (born 7 March 1944, Jerusalem) is an Israeli musical conductor. Segal studied violin and conducting at the Rubin Academy of Music (now the Jerusalem Academy of Music and Dance). From 1966 to 1969, he attended the Guildhall School of Music.
In 1969, shortly after his graduation, Segal won first prize in the Dimitri Mitropolous Conducting Competition in New York City. For a year after this, he served as Leonard Bernstein's assistant with the New York Philharmonic Orchestra. From 1980 to 1982, Segal was the chief conductor of the Bournemouth Symphony Orchestra. From 1981 to 1985, he was principal conductor of the Philharmonia Hungarica. He has also served as artistic director of the Israel Chamber Orchestra.
In the US, Segal became Music Director of the Chautauqua Symphony Orchestra in 1990, and held the post through 2007. In 1990, in Osaka, Japan, he founded the Century Orchestra and was its chief conductor through 1998. He subsequently became the Century Orchestra's Laureate Conductor
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his early death have been much mythologized.
He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. These forms were not new, but Mozart advanced their technical sophistication and emotional reach. He almost single-handedly developed and popularized the Classical piano concerto. He wrote a great deal of religious music, including large-scale masses, as well as dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the Classical style are all present in Mozart's music. Clarity, balance, and transparency are the hallmarks of his work, but simplistic notions of its delicacy mask the exceptional power of his finest masterpieces, such as the Piano Concerto No. 24 in C minor, K. 491; the Symphony No. 40 in G minor, K. 550; and the opera Don Giovanni. Charles Rosen makes the point forcefully:
It is only through recognizing the violence and sensuality at the center of Mozart's work that we can make a start towards a comprehension of his structures and an insight into his magnificence. In a paradoxical way, Schumann's superficial characterization of the G minor Symphony can help us to see Mozart's daemon more steadily. In all of Mozart's supreme expressions of suffering and terror, there is something shockingly voluptuous.
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This article uses material from the Wikipedia article "Segal", "Yuasa Toshio", "Masahiko Enkoji", "Tomomi Nishimoto", which is released under the Creative Commons Attribution-Share-Alike License 3.0.
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